"With the greatest pleasure," replied the youth. "Just wait a moment, the alferez is leaving."
Upon hearing about this match all the old men who understood chess gathered around the board, for it promised to be an interesting one, and attracted even spectators who were not familiar with the game. The old women, however, surrounded the curate in order to converse with him about spiritual matters, but Fray Salvi apparently did not consider the place and time appropriate, for he gave vague answers and his sad, rather bored, looks wandered in all directions except toward his questioners.
The chess-match began with great solemnity. "If this game ends in a draw, it's understood that the lawsuit is to be dropped," said Ibarra.
In the midst of the game Ibarra received a telegram which caused his eyes to shine and his face to become pale. He put it into his pocketbook, at the same time glancing toward the group of young people, who were still with laughter and shouts putting questions to Destiny.
"Check to the king!" called the youth.
Capitan Basilio had no other recourse than to hide the piece behind the queen.
"Check to the queen!" called the youth as he threatened that piece with a rook which was defended by a pawn.
Being unable to protect the queen or to withdraw the piece on account of the king behind it, Capitan Basilio asked for time to reflect.
"Willingly," agreed Ibarra, "especially as I have something to say this very minute to those young people in that group over there." He arose with the agreement that his opponent should have a quarter of an hour.
Iday had the round card on which were written the forty-eight questions, while Albino held the book of answers.
"A lie! It's not so!" cried Sinang, half in tears.
"What's the matter?" asked Maria Clara.
"Just imagine, I asked, 'When shall I have some sense?' I threw the dice and that worn-out priest read from the book, 'When the frogs raise hair.' What do you think of that?" As she said this, Sinang made a grimace at the laughing ex-theological student.
"Who told you to ask that question?" her cousin Victoria asked her. "To ask it is enough to deserve such an answer."
"You ask a question," they said to Ibarra, offering him the wheel. "We're decided that whoever gets the best answer shall receive a present from the rest. Each of us has already had a question."
"Who got the best answer?"
"Maria Clara, Maria Clara!" replied Sinang. "We made her ask, willy-nilly, 'Is your sweetheart faithful and constant?' And the book answered--"
But here the blushing Maria Clara put her hands over Sinang's mouth so that she could not finish.
"Well, give me the wheel," said Crisostomo, smiling. "My question is, 'Shall I succeed in my present enterprise?'"
"What an ugly question!" exclaimed Sinang.
Ibarra threw the dice and in accordance with the resulting number the page and line were sought.
"Dreams are dreams," read Albino.
Ibarra drew out the telegram and opened it with trembling hands. "This time your book is wrong!" he exclaimed joyfully. "Read this: 'School project approved. Suit decided in your favor.'"
"What does it mean?" all asked.
"Didn't you say that a present is to be given to the one receiving the best answer?" he asked in a voice shaking with emotion as he tore the telegram carefully into two pieces.
"Yes, yes!"
"Well then, this is my present," he said as he gave one piece to Maria Clara. "A school for boys and girls is to be built in the town and this school is my present."
"And the other part, what does it mean?"
"It's to be given to the one who has received the worst answer."
"To me, then, to me!" cried Sinang.
Ibarra gave her the other piece of the telegram and hastily withdrew.
"What does it mean?" she asked, but the happy youth was already at a distance, returning to the game of chess.
Fray Salvi in abstracted mood approached the circle of young people. Maria Clara wiped away her tears of joy, the laughter ceased, and the talk died away. The curate stared at the young people without offering to say anything, while they silently waited for him to speak.
"What's this?" he at length asked, picking up the book and turning its leaves.
"The Wheel of Fortune, a book of games," replied Leon.
"Don't you know that it's a sin to believe in these things?" he scolded, tearing the leaves out angrily.
Cries of surprise and anger escaped from the lips of all.
"It's a greater sin to dispose of what isn't yours, against the wish of the owner," contradicted Albino, rising. "Padre, that's what is called stealing and it is forbidden by God and men!"
Maria Clara clasped her hands and gazed with tearful eyes at the remnants of the book which a few moments before had been the source of so much happiness for her.
Contrary to the general expectation, Fray Salvi did not reply to Albino, but stood staring at the torn leaves as they were whirled about, some falling in the wood, some in the water, then he staggered away with his hands over his head. He stopped for a few moments to speak with Ibarra, who accompanied him to one of the carriages, which were at the disposal of the guests.
"He's doing well to leave, that kill-joy," murmured Sinang. "He has a face that seems to say, 'Don't laugh, for I know about your sins!'"
After making the present to his fiancée, Ibarra was so happy that he began to play without reflection or a careful examination of the positions of the pieces. The result was that although Capitan Basilio was hard pressed the game became a stalemate, owing to many careless moves on the young man's part.
"It's settled, we're at peace!" exclaimed Capitan Basilio heartily.
"Yes, we're at peace," repeated the youth, "whatever the decision of the court may be." And the two shook hands cordially.
While all present were rejoicing over this happy termination of a quarrel of which both parties were tired, the sudden arrival of a sergeant and four soldiers of the Civil Guard, all armed and with bayonets fixed, disturbed the mirth and caused fright among the women.
"Keep still, everybody!" shouted the sergeant. "Shoot any one who moves!"
In spite of this blustering command, Ibarra arose and approached the sergeant. "What do you want?" he asked.
"That you deliver to us at once a criminal named Elias, who was your pilot this morning," was the threatening reply.
"A criminal--the pilot? You must be mistaken," answered Ibarra.
"No, sir, this Elias has just been accused of putting his hand on a priest--"
"Oh, was that the pilot?"
"The very same, according to reports. You admit persons of bad character into your fiestas, Señor Ibarra."
Ibarra looked him over from head to foot and replied with great disdain, "I don't have to give you an account of my actions! At our fiestas all are welcome. Had you yourself come, you would have found a place at our table, just as did your alferez, who was with us a couple of hours ago." With this he turned his back.
The sergeant gnawed at the ends of his mustache but, considering himself the weaker party, ordered the soldiers to institute a search, especially among the trees, for the pilot, a description of whom he carried on a piece of paper.
Don Filipo said to him, "Notice that this description fits nine tenths of the natives. Don't make any false move!"
After a time the soldiers returned with the report that they had been unable to see either banka or man that could be called suspicious-looking, so the sergeant muttered a few words and went away as he had come--in the manner of the Civil Guard!
The merriment was little by little restored, amid questions and comments.
"So that's the Elias who threw the alferez into the mudhole," said Leon thoughtfully.
"How did that happen? How was it?" asked some of the more curious.
"They say that on a very rainy day in September the alferez met a man who was carrying a bundle of firewood. The road was very muddy and there was only a narrow path at the side, wide enough for but one person. They say that the alferez, instead of reining in his pony, put spurs to it, at the same time calling to the man to get out of the way. It seemed that this man, on account of the heavy load he was carrying on his shoulder, had little relish for going back nor did he want to be swallowed up in the mud, so he continued on his way forward. The alferez in irritation tried to knock him down, but he snatched a piece of wood from his bundle and struck the pony on the head with such great force that it fell, throwing its rider into the mud. They also say that the man went on his way tranquilly without taking any notice of the five bullets that were fired after him by the alferez, who was blind with mud and rage. As the man was entirely unknown to him it was supposed that he might be the famous Elias who came to the province several months ago, having come from no one knows where. He has given the Civil Guard cause to know him in several towns for similar actions."
"Then he's a tulisan?" asked Victoria shuddering.
"I don't think so, for they say that he fought against some tulisanes one day when they were robbing a house."
"He hasn't the look of a criminal," commented Sinang.
"No, but he looks very sad. I didn't see him smile the whole morning," added Maria Clara thoughtfully.
So the afternoon passed away and the hour for returning to the town came. Under the last rays of the setting sun they left the woods, passing in silence by the mysterious tomb of Ibarra's ancestors. Afterwards, the merry talk was resumed in a lively manner, full of warmth, beneath those branches so little accustomed to hear so many voices. The trees seemed sad, while the vines swung back and forth as if to say, "Farewell, youth! Farewell, dream of a day!"
Now in the light of the great red torches of bamboo and with the sound of the guitars let us leave them on the road to the town. The groups grow smaller, the lights are extinguished, the songs die away, and the guitar becomes silent as they approach the abodes of men. Put on the mask now that you are once more amongst your kind!
CHAPTER XXV
In the House of the Sage
On the morning of the following day, Ibarra, after visiting his lands, made his way to the home of old Tasio. Complete stillness reigned in the garden, for even the swallows circling about the eaves scarcely made any noise. Moss grew on the old wall, over which a kind of ivy clambered to form borders around the windows. The little house seemed to be the abode of silence.
Ibarra hitched his horse carefully to a post and walking almost on tiptoe crossed the clean and well-kept garden to the stairway, which he ascended, and as the door was open, he entered. The first sight that met his gaze was the old man bent over a book in which he seemed to be writing. On the walls were collections of insects and plants arranged among maps and stands filled with books and manuscripts. The old man was so absorbed in his work that he did not notice the presence of the youth until the latter, not wishing to disturb him, tried to retire.
"Ah, you here?" he asked, gazing at Ibarra with a strange expression. "Excuse me," answered the youth, "I see that you're very busy--"
"True, I was writing a little, but it's not urgent, and I want to rest. Can I do anything for you?"
"A great deal," answered Ibarra, drawing nearer, "but--"
A glance at the book on the table caused him to exclaim in surprise, "What, are you given to deciphering hieroglyphics?"
"No," replied the old man, as he offered his visitor a chair. "I don't understand Egyptian or Coptic either, but I know something about the system of writing, so I write in hieroglyphics."
"You write in hieroglyphics! Why?" exclaimed the youth, doubting what he saw and heard.
"So that I cannot be read now."
Ibarra gazed at him fixedly, wondering to himself if the old man were not indeed crazy. He examined the book rapidly to learn if he was telling the truth and saw neatly drawn figures of animals, circles, semicircles, flowers, feet, hands, arms, and such things.
"But why do you write if you don't want to be read?"
"Because I'm not writing for this generation, but for other ages. If this generation could read, it would burn my books, the labor of my whole life. But the generation that deciphers these characters will be an intelligent generation, it will understand and say, 'Not all were asleep in the night of our ancestors!' The mystery of these curious characters will save my work from the ignorance of men, just as the mystery of strange rites has saved many truths from the destructive priestly classes."
"In what language do you write?" asked Ibarra after a pause.
"In our own, Tagalog."
"Are the hieroglyphical signs suitable?"
"If it were not for the difficulty of drawing them, which takes time and patience, I would almost say that they are more suitable than the Latin alphabet. The ancient Egyptian had our vowels; our o, which is only final and is not like that of the Spanish, which is a vowel between o and u. Like us, the Egyptians lacked the true sound of e, and in their language are found our ha and kha, which we do not have in the Latin alphabet such as is used in Spanish. For example, in this word mukha," he went on, pointing to the book, "I transcribe the syllable ha more correctly with the figure of a fish than with the Latin h, which in Europe is pronounced in different ways. For a weaker aspirate, as for example in this word haín, where the h has less force, I avail myself of this lion's head or of these three lotus flowers, according to the quantity of the vowel. Besides, I have the nasal sound which does not exist in the Latin-Spanish alphabet. I repeat that if it were not for the difficulty of drawing them exactly, these hieroglyphics could almost be adopted, but this same difficulty obliges me to be concise and not say more than what is exact and necessary. Moreover, this work keeps me company when my guests from China and Japan go away."
"Your guests from China and Japan?"
"Don't you hear them? My guests are the swallows. This year one of them is missing--some bad boy in China or Japan must have caught it."
"How do you know that they come from those countries?"
"Easily enough! Several years ago, before they left I tied to the foot of each one a slip of paper with the name 'Philippines' in English on it, supposing that they must not travel very far and because English is understood nearly everywhere. For years my slips brought no reply, so that at last I had it written in Chinese and here in the following November they have returned with other notes which I have had deciphered. One is written in Chinese and is a greeting from the banks of the Hoang-Ho and the other, as the Chinaman whom I consulted supposes, must be in Japanese. But I'm taking your time with these things and haven't asked you what I can do for you."
"I've come to speak to you about a matter of importance," said the youth. "Yesterday afternoon--"
"Have they caught that poor fellow?"
"You mean Elias? How did you know about him?"
"I saw the Muse of the Civil Guard!"
"The Muse of the Civil Guard? Who is she?"
"The alferez's woman, whom you didn't invite to your picnic. Yesterday morning the incident of the cayman became known through the town. The Muse of the Civil Guard is as astute as she is malignant and she guessed that the pilot must be the bold person who threw her husband into the mudhole and who assaulted Padre Damaso. As she reads all the reports that her husband is to receive, scarcely had he got back home, drunk and not knowing what he was doing, when to revenge herself on you she sent the sergeant with the soldiers to disturb the merriment of your picnic. Be careful! Eve was a good woman, sprung from the hands of God--they say that Doña Consolacion is evil and it's not known whose hands she came from! In order to be good, a woman needs to have been, at least sometime, either a maid or a mother."
Ibarra smiled slightly and replied by taking some documents from his pocketbook. "My dead father used to consult you in some things and I recall that he had only to congratulate himself on following your advice. I have on hand a little enterprise, the success of which I must assure." Here he explained briefly his plan for the school, which he had offered to his fiancée, spreading out in view of the astonished Sage some plans which had been prepared in Manila.
"I would like to have you advise me as to what persons in the town I must first win over in order to assure the success of the undertaking. You know the inhabitants well, while I have just arrived and am almost a stranger in my own country."
Old Tasio examined the plans before him with tear-dimmed eyes. "What you are going to do has been my dream, the dream of a poor lunatic!" he exclaimed with emotion. "And now the first thing that I advise you to do is never to come to consult with me."
The youth gazed at him in surprise.
"Because the sensible people," he continued with bitter irony, "would take you for a madman also. The people consider madmen those who do not think as they do, so they hold me as such, which I appreciate, because the day in which they think me returned to sanity, they will deprive me of the little liberty that I've purchased at the expense of the reputation of being a sane individual. And who knows but they are right? I do not live according to their rules, my principles and ideals are different. The gobernadorcillo enjoys among them the reputation of being a wise man because he learned nothing more than to serve chocolate and to put up with Padre Damaso's bad humor, so now he is wealthy, he disturbs the petty destinies of his fellow-townsmen, and at times he even talks of justice. 'That's a man of talent,' think the vulgar, 'look how from nothing he has made himself great!' But I, I inherited fortune and position, I have studied, and now I am poor, I am not trusted with the most ridiculous office, and all say, 'He's a fool! He doesn't know how to live!' The curate calls me 'philosopher' as a nickname and gives to understand that I am a charlatan who is making a show of what I learned in the higher schools, when that is exactly what benefits me the least. Perhaps I really am the fool and they the wise ones--who can say?"
The old man shook his head as if to drive away that thought, and continued: "The second thing I can advise is that you consult the curate, the gobernadorcillo, and all persons in authority. They will give you bad, stupid, or useless advice, but consultation doesn't mean compliance, although you should make it appear that you are taking their advice and acting according to it."
Ibarra reflected a moment before he replied: "The advice is good, but difficult to follow. Couldn't I go ahead with my idea without a shadow being thrown upon it? Couldn't a worthy enterprise make its way over everything, since truth doesn't need to borrow garments from error?"
"Nobody loves the naked truth!" answered the old man. "That is good in theory and practicable in the world of which youth dreams. Here is the schoolmaster, who has struggled in a vacuum; with the enthusiasm of a child, he has sought the good, yet he has won only jests and laughter. You have said that you are a stranger in your own country, and I believe it. The very first day you arrived you began by wounding the vanity of a priest who is regarded by the people as a saint, and as a sage among his fellows. God grant that such a misstep may not have already determined your future! Because the Dominicans and Augustinians look with disdain on the guingón habit, the rope girdle, and the immodest foot-wear, because a learned doctor in Santo Tomas may have once recalled that Pope Innocent III described the statutes of that order as more fit for hogs than men, don't believe but that all of them work hand in hand to affirm what a preacher once said, 'The most insignificant lay brother can do more than the government with all its soldiers!' Cave ne cadas! Gold is powerful--the golden calf has thrown God down from His altars many times, and that too since the days of Moses!"
"I'm not so pessimistic nor does life appear to me so perilous in my country," said Ibarra with a smile. "I believe that those fears are somewhat exaggerated and I hope to be able to carry out my plans without meeting any great opposition in that quarter."
"Yes, if they extend their hands to you; no, if they withhold them. All your efforts will be shattered against the walls of the rectory if the friar so much as waves his girdle or shakes his habit; tomorrow the alcalde will on some pretext deny you what today he has granted; no mother will allow her son to attend the school, and then all your labors will produce a counter-effect--they will dishearten those who afterwards may wish to attempt altruistic undertakings."
"But, after all," replied the youth, "I can't believe in that power of which you speak, and even supposing it to exist and making allowance for it, I should still have on my side the sensible people and the government, which is animated by the best intentions, which has great hopes, and which frankly desires the welfare of the Philippines."
"The government! The government!" muttered the Sage, raising his eyes to stare at the ceiling. "However inspired it may be with the desire for fostering the greatness of the country for the benefit of the country itself and of the mother country, however some official or other may recall the generous spirit of the Catholic Kings and may agree with it, too, the government sees nothing, hears nothing, nor does it decide anything, except what the curate or the Provincial causes it to see, hear, and decide. The government is convinced that it depends for its salvation wholly on them, that it is sustained because they uphold it, and that the day on which they cease to support it, it will fall like a manikin that has lost its prop. They intimidate the government with an uprising of the people and the people with the forces of the government, whence originates a simple game, very much like what happens to timid persons when they visit gloomy places, taking for ghosts their own shadows and for strange voices the echoes of their own. As long as the government does not deal directly with the country it will not get away from this tutelage, it will live like those imbecile youths who tremble at the voice of their tutor, whose kindness they are begging for. The government has no dream of a healthy future; it is the arm, while the head is the convento. By this inertia with which it allows itself to be dragged from depth to depth, it becomes changed into a shadow, its integrity is impaired, and in a weak and incapable way it trusts everything to mercenary hands. But compare our system of government with those of the countries you have visited--"
"Oh!" interrupted Ibarra, "that's asking too much! Let us content ourselves with observing that our people do not complain or suffer as do the people of other countries, thanks to Religion and the benignity of the governing powers.
"This people does not complain because it has no voice, it does not move because it is lethargic, and you say that it does not suffer because you haven't seen how its heart bleeds. But some day you will see this, you will hear its complaints, and then woe unto those who found their strength on ignorance and fanaticism! Woe unto those who rejoice in deceit and labor during the night, believing that all are asleep! When the light of day shows up the monsters of darkness, the frightful reaction will come. So many sighs suppressed, so much poison distilled drop by drop, so much force repressed for centuries, will come to light and burst! Who then will pay those accounts which oppressed peoples present from time to time and which History preserves for us on her bloody pages?"
"God, the government, and Religion will not allow that day to come!" replied Ibarra, impressed in spite of himself. "The Philippines is religious and loves Spain, the Philippines will realize how much the nation is doing for her. There are abuses, yes, there are defects, that cannot be denied, but Spain is laboring to introduce reforms that will correct these abuses and defects, she is formulating plans, she is not selfish!"
"I know it, and that is the worst of it! The reforms which emanate from the higher places are annulled in the lower circles, thanks to the vices of all, thanks, for instance, to the eager desire to get rich in a short time, and to the ignorance of the people, who consent to everything. A royal decree does not correct abuses when there is no zealous authority to watch over its execution, while freedom of speech against the insolence of petty tyrants is not conceded. Plans will remain plans, abuses will still be abuses, and the satisfied ministry will sleep in peace in spite of everything. Moreover, if perchance there does come into a high place a person with great and generous ideas, he will begin to hear, while behind his back he is considered a fool, 'Your Excellency does not know the country, your Excellency does not understand the character of the Indians, your Excellency is going to ruin them, your Excellency will do well to trust So-and-so,' and his Excellency in fact does not know the country, for he has been until now stationed in America, and besides that, he has all the shortcomings and weaknesses of other men, so he allows himself to be convinced. His Excellency also remembers that to secure the appointment he has had to sweat much and suffer more, that he holds it for only three years, that he is getting old and that it is necessary to think, not of quixotisms, but of the future: a modest mansion in Madrid, a cozy house in the country, and a good income in order to live in luxury at the capital--these are what he must look for in the Philippines. Let us not ask for miracles, let us not ask that he who comes as an outsider to make his fortune and go away afterwards should interest himself in the welfare of the country. What matters to him the gratitude or the curses of a people whom he does not know, in a country where he has no associations, where he has no affections? Fame to be sweet must resound in the ears of those we love, in the atmosphere of our home or of the land that will guard our ashes; we wish that fame should hover over our tomb to warm with its breath the chill of death, so that we may not be completely reduced to nothingness, that something of us may survive. Naught of this can we offer to those who come to watch over our destinies. And the worst of all this is that they go away just when they are beginning to get an understanding of their duties. But we are getting away from our subject."
"But before getting back to it I must make some things plain," interrupted the youth eagerly. "I can admit that the government does not know the people, but I believe that the people know the government even less. There are useless officials, bad ones, if you wish, but there are also good ones, and if these are unable to do anything it is because they meet with an inert mass, the people, who take little part in the affairs that concern them. But I didn't come to hold a discussion with you on that point, I came to ask for advice and you tell me to lower my head before grotesque idols!"
"Yes, I repeat it, because here you must either lower your head or lose it."
"Either lower my head or lose it!" repeated Ibarra thoughtfully. "The dilemma is hard! But why? Is love for my country incompatible with love for Spain? Is it necessary to debase oneself to be a good Christian, to prostitute one's conscience in order to carry out a good purpose? I love my native land, the Philippines, because to it I owe my life and my happiness, because every man should love his country. I love Spain, the fatherland of my ancestors, because in spite of everything the Philippines owes to it, and will continue to owe, her happiness and her future. I am a Catholic, I preserve pure the faith of my fathers, and I do not see why I have to lower my head when I can raise it, to give it over to my enemies when I can humble them!"
"Because the field in which you wish to sow is in possession of your enemies and against them you are powerless. It is necessary that you first kiss the hand that--"
But the youth let him go no farther, exclaiming passionately, "Kiss their hands! You forget that among them they killed my father and threw his body from the tomb! I who am his son do not forget it, and that I do not avenge it is because I have regard for the good name of the Church!"
The old Sage bowed his head as he answered slowly: "Señor Ibarra, if you preserve those memories, which I cannot counsel you to forget, abandon the enterprise you are undertaking and seek in some other way the welfare of your countrymen. The enterprise needs another man, because to make it a success zeal and money alone are not sufficient; in our country are required also self-denial, tenacity of purpose, and faith, for the soil is not ready, it is only sown with discord."
Ibarra appreciated the value of these observations, but still would not be discouraged. The thought of Maria Clara was in his mind and his promise must be fulfilled.
"Doesn't your experience suggest any other than this hard means?" he asked in a low voice.
The old man took him by the arm and led him to the window. A fresh breeze, the precursor of the north wind, was blowing, and before their eyes spread out the garden bounded by the wide forest that was a kind of park.
"Why can we not do as that weak stalk laden with flowers and buds does?" asked the Sage, pointing to a beautiful jasmine plant. "The wind blows and shakes it and it bows its head as if to hide its precious load. If the stalk should hold itself erect it would be broken, its flowers would be scattered by the wind, and its buds would be blighted. The wind passes by and the stalk raises itself erect, proud of its treasure, yet who will blame it for having bowed before necessity? There you see that gigantic kupang, which majestically waves its light foliage wherein the eagle builds his nest. I brought it from the forest as a weak sapling and braced its stem for months with slender pieces of bamboo. If I had transplanted it large and full of life, it is certain that it would not have lived here, for the wind would have thrown it down before its roots could have fixed themselves in the soil, before it could have become accustomed to its surroundings, and before it could have secured sufficient nourishment for its size and height. So you, transplanted from Europe to this stony soil, may end, if you do not seek support and do not humble yourself. You are among evil conditions, alone, elevated, the ground shakes, the sky presages a storm, and the top of your family tree has shown that it draws the thunderbolt. It is not courage, but foolhardiness, to fight alone against all that exists. No one censures the pilot who makes for a port at the first gust of the whirlwind. To stoop as the bullet passes is not cowardly--it is worse to defy it only to fall, never to rise again."
"But could this sacrifice produce the fruit that I hope for?" asked Ibarra. "Would the priest believe in me and forget the affront? Would they aid me frankly in behalf of the education that contests with the conventos the wealth of the country? Can they not pretend friendship, make a show of protection, and yet underneath in the shadows fight it, undermine it, wound it in the heel, in order to weaken it quicker than by attacking it in front? Granted the previous actions which you surmise, anything may be expected!"
The old man remained silent from inability to answer these questions. After meditating for some time, he said: "If such should happen, if the enterprise should fail, you would be consoled by the thought that you had done what was expected of you and thus something would be gained. You would have placed the first stone, you would have sown the seed, and after the storm had spent itself perhaps some grain would have survived the catastrophe to grow and save the species from destruction and to serve afterwards as the seed for the sons of the dead sower. The example may encourage others who are only afraid to begin."
Weighing these reasons, Ibarra realized the situation and saw that with all the old man's pessimism there was a great deal of truth in what he said.
"I believe you!" he exclaimed, pressing the old man's hand. "Not in vain have I looked to you for advice. This very day I'll go and reach an understanding with the curate, who, after all is said, has done me no wrong and who must be good, since all of them are not like the persecutor of my father. I have, besides, to interest him in behalf of that unfortunate madwoman and her sons. I put my trust in God and men!"
After taking leave of the old man he mounted his horse and rode away. As the pessimistic Sage followed him with his gaze, he muttered: "Now let's watch how Destiny will unfold the drama that began in the cemetery." But for once he was greatly mistaken--the drama had begun long before!
CHAPTER XXVI
The Eve of the Fiesta
It is now the tenth of November, the eve of the fiesta. Emerging from its habitual monotony, the town has given itself over to unwonted activity in house, church, cockpit, and field. Windows are covered with banners and many-hued draperies. All space is filled with noise and music, and the air is saturated with rejoicings.
On little tables with embroidered covers the dalagas arrange in bright-hued glass dishes different kinds of sweetmeats made from native fruits. In the yard the hens cackle, the cocks crow, and the hogs grunt, all terrified by this merriment of man. Servants move in and out carrying fancy dishes and silver cutlery. Here there is a quarrel over a broken plate, there they laugh at the simple country girl. Everywhere there is ordering, whispering, shouting. Comments and conjectures are made, one hurries the other,--all is commotion, noise, and confusion. All this effort and all this toil are for the stranger as well as the acquaintance, to entertain every one, whether he has been seen before or not, or whether he is expected to be seen again, in order that the casual visitor, the foreigner, friend, enemy, Filipino, Spaniard, the poor and the rich, may go away happy and contented. No gratitude is even asked of them nor is it expected that they do no damage to the hospitable family either during or after digestion! The rich, those who have ever been to Manila and have seen a little more than their neighbors, have bought beer, champagne, liqueurs, wines, and food-stuffs from Europe, of which they will hardly taste a bite or drink a drop.
Their tables are luxuriously furnished. In the center is a well-modeled artificial pineapple in which are arranged toothpicks elaborately carved by convicts in their rest-hours. Here they have designed a fan, there a bouquet of flowers, a bird, a rose, a palm leaf, or a chain, all wrought from a single piece of wood, the artisan being a forced laborer, the tool a dull knife, and the taskmaster's voice the inspiration. Around this toothpick-holder are placed glass fruit-trays from which rise pyramids of oranges, lansons, ates, chicos, and even mangos in spite of the fact that it is November. On wide platters upon bright-hued sheets of perforated paper are to be seen hams from Europe and China, stuffed turkeys, and a big pastry in the shape of an Agnus Dei or a dove, the Holy Ghost perhaps. Among all these are jars of appetizing acharas with fanciful decorations made from the flowers of the areca palm and other fruits and vegetables, all tastefully cut and fastened with sirup to the sides of the flasks.
Glass lamp globes that have been handed down from father to son are cleaned, the copper ornaments polished, the kerosene lamps taken out of the red wrappings which have protected them from the flies and mosquitoes during the year and which have made them unserviceable; the prismatic glass pendants shake to and fro, they clink together harmoniously in song, and even seem to take part in the fiesta as they flash back and break up the rays of light, reflecting them on the white walls in all the colors of the rainbow. The children play about amusing themselves by chasing the colors, they stumble and break the globes, but this does not interfere with the general merriment, although at other times in the year the tears in their round eyes would be taken account of in a different way.
Along with these venerated lamps there also come forth from their hiding-places the work of the girls: crocheted scarfs, rugs, artificial flowers. There appear old glass trays, on the bottoms of which are sketched miniature lakes with little fishes, caymans, shell-fish, seaweeds, coral, and glassy stones of brilliant hues. These are heaped with cigars, cigarettes, and diminutive buyos prepared by the delicate fingers of the maidens. The floor of the house shines like a mirror, curtains of piña and husi festoon the doorways, from the windows hang lanterns covered with glass or with paper, pink, blue, green, or red. The house itself is filled with plants and flower-pots on stands of Chinese porcelain. Even the saints bedeck themselves, the images and relics put on a festive air, the dust is brushed from them and on the freshly-washed glass of their cases are hung flowery garlands.
In the streets are raised at intervals fanciful bamboo arches, known as sinkában, constructed in various ways and adorned with kaluskús, the curling bunches of shavings scraped on their sides, at the sight of which alone the hearts of the children rejoice. About the front of the church, where the procession is to pass, is a large and costly canopy upheld on bamboo posts. Beneath this the children run and play, climbing, jumping, and tearing the new camisas in which they should shine on the principal day of the fiesta.
There on the plaza a platform has been erected, the scenery being of bamboo, nipa, and wood; there the Tondo comedians will perform wonders and compete with the gods in improbable miracles, there will sing and dance Marianito, Chananay, Balbino, Ratia, Carvajal, Yeyeng, Liceria, etc. The Filipino enjoys the theater and is a deeply interested spectator of dramatic representations, but he listens in silence to the song, he gazes delighted at the dancing and mimicry, he never hisses or applauds.
If the show is not to his liking, he chews his buyo or withdraws without disturbing the others who perhaps find pleasure in it. Only at times the commoner sort will howl when the actors embrace or kiss the actresses, but they never go beyond that. Formerly, dramas only were played; the local poet composed a piece in which there must necessarily be a fight every second minute, a clown, and terrifying transformations. But since the Tondo artist have begun to fight every fifteen seconds, with two clowns, and even greater marvels than before, they have put to rout their provincial compeers. The gobernadorcillo was very fond of this sort of thing, so, with the approval of the curate, he chose a spectacle with magic and fireworks, entitled, "The Prince Villardo or the Captives Rescued from the Infamous Cave."
From time to time the bells chime out merrily, those same bells that ten days ago were tolling so mournfully. Pin-wheels and mortars rend the air, for the Filipino pyrotechnist, who learned the art from no known instructor, displays his ability by preparing fire bulls, castles of Bengal lights, paper balloons inflated with hot air, bombs, rockets, and the like.
Now distant strains of music are heard and the small boys rush headlong toward the outskirts of the town to meet the bands of music, five of which have been engaged, as well as three orchestras. The band of Pagsanhan belonging to the escribano must not be lacking nor that of San Pedro de Tunasan, at that time famous because it was directed by the maestro Austria, the vagabond "Corporal Mariano" who, according to report, carried fame and harmony in the tip of his baton. Musicians praise his funeral march, "El Sauce," and deplore his lack of musical education, since with his genius he might have brought glory to his country. The bands enter the town playing lively airs, followed by ragged or half-naked urchins, one in the camisa of his brother, another in his father's pantaloons. As soon as the band ceases, the boys know the piece by heart, they hum and whistle it with rare skill, they pronounce their judgment upon it.
Meanwhile, there are arriving in conveyances of all kinds relatives, friends, strangers, the gamblers with their best game-cocks and their bags of gold, ready to risk their fortune on the green cloth or within the arena of the cockpit.
"The alferez has fifty pesos for each night," murmurs a small, chubby individual into the ears of the latest arrivals. "Capitan Tiago's coming and will set up a bank; Capitan Joaquin's bringing eighteen thousand. There'll be liam-pó: Carlos the Chinaman will set it up with ten thousand. Big stakes are coming from Tanawan, Lipa, and Batangas, as well as from Santa Cruz. It's going to be on a big scale, yes, sir, on a grand scale! But have some chocolate! This year Capitan Tiago won't break us as he did last, since he's paid for only three thanksgiving masses and I've got a cacao mutyâ. And how's your family?"
"Well, thank you," the visitors respond, "and Padre Damaso?"
"Padre Damaso will preach in the morning and sit in with us at night."
"Good enough! Then there's no danger."
"Sure, we're sure! Carlos the Chinaman will loosen up also." Here the chubby individual works his fingers as though counting out pieces of money.
Outside the town the hill-folk, the kasamá, are putting on their best clothes to carry to the houses of their landlords well-fattened chickens, wild pigs, deer, and birds. Some load firewood on the heavy carts, others fruits, ferns, and orchids, the rarest that grow in the forests, others bring broad-leafed caladiums and flame-colored tikas-tikas blossoms to decorate the doors of the houses.
But the place where the greatest activity reigns, where it is converted into a tumult, is there on a little plot of raised ground, a few steps from Ibarra's house. Pulleys screech and yells are heard amid the metallic sound of iron striking upon stone, hammers upon nails, of axes chopping out posts. A crowd of laborers is digging in the earth to open a wide, deep trench, while others place in line the stones taken from the town quarries. Carts are unloaded, piles of sand are heaped up, windlasses and derricks are set in place.
"Hey, you there! Hurry up!" cries a little old man with lively and intelligent features, who has for a cane a copper-bound rule around which is wound the cord of a plumb-bob. This is the foreman of the work, Ñor Juan, architect, mason, carpenter, painter, locksmith, stonecutter, and, on occasions, sculptor. "It must be finished right now! Tomorrow there'll be no work and the day after tomorrow is the ceremony. Hurry!"
"Cut that hole so that this cylinder will fit it exactly," he says to some masons who are shaping a large square block of stone. "Within that our names will be preserved."
He repeats to every newcomer who approaches the place what he has already said a thousand times: "You know what we're going to build? Well, it's a schoolhouse, a model of its kind, like those in Germany, and even better. A great architect has drawn the plans, and I--I am bossing the job! Yes, sir, look at it, it's going to be a palace with two wings, one for the boys and the other for the girls. Here in the middle a big garden with three fountains, there on the sides shaded walks with little plots for the children to sow and cultivate plants in during their recess-time, that they may improve the hours and not waste them. Look how deep the foundations are, three meters and seventy-five centimeters! This building is going to have storerooms, cellars, and for those who are not diligent students dungeons near the playgrounds so that the culprits may hear how the studious children are enjoying themselves. Do you see that big space? That will be a lawn for running and exercising in the open air. The little girls will have a garden with benches, swings, walks where they can jump the rope, fountains, bird-cages, and so on. It's going to be magnificent!"
Then Ñor Juan would rub his hands together as he thought of the fame that he was going to acquire. Strangers would come to see it and would ask, "Who was the great artisan that built this?" and all would answer, "Don't you know? Can it be that you've never heard of Ñor Juan? Undoubtedly you've come from a great distance!" With these thoughts he moved from one part to the other, examining and reexamining everything.
"It seems to me that there's too much timber for one derrick," he remarked to a yellowish man who was overseeing some laborers. "I should have enough with three large beams for the tripod and three more for the braces."
"Never mind!" answered the yellowish man, smiling in a peculiar way. "The more apparatus we use in the work, so much the greater effect we'll get. The whole thing will look better and of more importance, so they'll say, 'How hard they've worked!' You'll see, you'll see what a derrick I'll put up! Then I'll decorate it with banners, and garlands of leaves and flowers. You'll say afterwards that you were right in hiring me as one of your laborers, and Señor Ibarra couldn't ask for more!" As he said this the man laughed and smiled. Ñor Juan also smiled, but shook his head.
Some distance away were seen two kiosks united by a kind of arbor covered with banana leaves. The schoolmaster and some thirty boys were weaving crowns and fastening banners upon the frail bamboo posts, which were wrapped in white cloth.
"Take care that the letters are well written," he admonished the boys who were preparing inscriptions. "The alcalde is coming, many curates will be present, perhaps even the Captain-General, who is now in the province. If they see that you draw well, maybe they'll praise you."
"And give us a blackboard?"
"Perhaps, but Señor Ibarra has already ordered one from Manila. Tomorrow some things will come to be distributed among you as prizes. Leave those flowers in the water and tomorrow we'll make the bouquets. Bring more flowers, for it's necessary that the table be covered with them--flowers please the eye."
"My father will bring some water-lilies and a basket of sampaguitas tomorrow."
"Mine has brought three cartloads of sand without pay."
"My uncle has promised to pay a teacher," added a nephew of Capitan Basilio.
Truly, the project was receiving help from all. The curate had asked to stand sponsor for it and himself bless the laying of the corner-stone, a ceremony to take place on the last day of the fiesta as one of its greatest solemnities. The very coadjutor had timidly approached Ibarra with an offer of all the fees for masses that the devout would pay until the building was finished. Even more, the rich and economical Sister Rufa had declared that if money should be lacking she would canvass other towns and beg for alms, with the mere condition that she be paid her expenses for travel and subsistence. Ibarra thanked them all, as he answered, "We aren't going to have anything very great, since I am not rich and this building is not a church. Besides, I didn't undertake to erect it at the expense of others."
The younger men, students from Manila, who had come to take part in the fiesta, gazed at him in admiration and took him for a model; but, as it nearly always happens, when we wish to imitate great men, that we copy only their foibles and even their defects, since we are capable of nothing else, so many of these admirers took note of the way in which he tied his cravat, others of the style of his collar, and not a few of the number of buttons on his coat and vest.
The funereal presentiments of old Tasio seemed to have been dissipated forever. So Ibarra observed to him one day, but the old pessimist answered: "Remember what Baltazar says:
Kung ang isalúbong sa iyong pagdating
Ay masayang maukha't may pakitang giliw,
Lalong pag-iñgata't kaaway na lihim --
Baltazar was no less a thinker than a poet."
Thus in the gathering shadows before the setting of the sun events were shaping themselves.
CHAPTER XXVII
In the Twilight
In Capitan Tiago's house also great preparations had been made. We know its owner, whose love of ostentation and whose pride as a Manilan imposed the necessity of humiliating the provincials with his splendor. Another reason, too, made it his duty to eclipse all others: he had his daughter Maria Clara with him, and there was present his future son-in-law, who was attracting universal attention.
In fact one of the most serious newspapers in Manila had devoted to Ibarra an article on its front page, entitled, "Imitate him!" heaping him with praise and giving him some advice. It had called him, "The cultivated young gentleman and rich capitalist;" two lines further on, "The distinguished philanthropist;" in the following paragraph, "The disciple of Minerva who had gone to the mother country to pay his respects to the true home of the arts and sciences;" and a little further on, "The Filipino Spaniard." Capitan Tiago burned with generous zeal to imitate him and wondered whether he ought not to erect a convento at his own expense.
Some days before there had arrived at the house where Maria Clara and Aunt Isabel were staying a profusion of eases of European wines and food-stuffs, colossal mirrors, paintings, and Maria Clara's piano. Capitan Tiago had arrived on the day before the fiesta and as his daughter kissed his hand, had presented her with a beautiful locket set with diamonds and emeralds, containing a sliver from St. Peter's boat, in which Our Savior sat during the fishing. His first interview with his future son-in-law could not have been more cordial. Naturally, they talked about the school, and Capitan Tiago wanted it named "School of St. Francis." "Believe me," he said, "St. Francis is a good patron. If you call it 'School of Primary Instruction,' you will gain nothing. Who is Primary Instruction, anyhow?"
Some friends of Maria Clara came and asked her to go for a walk. "But come back quickly," said Capitan Tiago to his daughter, when she asked his permission, "for you know that Padre Damaso, who has just arrived, will dine with us."
Then turning to Ibarra, who had become thoughtful, he said, "You dine with us also, you'll be all alone in your house."
"I would with the greatest pleasure, but I have to be at home in case visitors come," stammered the youth, as he avoided the gaze of Maria Clara.
"Bring your friends along," replied Capitan Tiago heartily. "In my house there's always plenty to eat. Also, I want you and Padre Damaso to get on good terms."
"There'll be time enough for that," answered Ibarra with a forced smile, as he prepared to accompany the girls.
They went downstairs, Maria Clara in the center between Victoria and Iday, Aunt Isabel following. The people made way for them respectfully. Maria Clara was startling in her beauty; her pallor was all gone, and if her eyes were still pensive, her mouth on the contrary seemed to know only smiles. With maiden friendliness the happy young woman greeted the acquaintances of her childhood, now the admirers of her promising youth. In less than a fortnight she had succeeded in recovering that frank confidence, that childish prattle, which seemed to have been benumbed between the narrow walls of the nunnery. It might be said that on leaving the cocoon the butterfly recognized all the flowers, for it seemed to be enough for her to spread her wings for a moment and warm herself in the sun's rays to lose all the stiffness of the chrysalis. This new life manifested itself in her whole nature. Everything she found good and beautiful, and she showed her love with that maiden modesty which, having never been conscious of any but pure thoughts, knows not the meaning of false blushes. While she would cover her face when she was teased, still her eyes smiled, and a light thrill would course through her whole being.
The houses were beginning to show lights, and in the streets where the music was moving about there were lighted torches of bamboo and wood made in imitation of those in the church. From the streets the people in the houses might be seen through the windows in an atmosphere of music and flowers, moving about to the sounds of piano, harp, or orchestra. Swarming in the streets were Chinese, Spaniards, Filipinos, some dressed in European style, some in the costumes of the country. Crowding, elbowing, and pushing one another, walked servants carrying meat and chickens, students in white, men and women, all exposing themselves to be knocked down by the carriages which, in spite of the drivers' cries, made their way with difficulty.
In front of Capitan Basilio's house some young women called to our acquaintances and invited them to enter. The merry voice of Sinang as she ran down the stairs put an end to all excuses. "Come up a moment so that I may go with you," she said. "I'm bored staying here among so many strangers who talk only of game-cocks and cards."
They were ushered into a large room filled with people, some of whom came forward to greet Ibarra, for his name was now well known. All gazed in ecstasy at the beauty of Maria Clara and some old women murmured, as they chewed their buyo, "She looks like the Virgin!"
There they had to have chocolate, as Capitan Basilio had become a warm friend and defender of Ibarra since the day of the picnic. He had learned from the half of the telegram given to his daughter Sinang that Ibarra had known beforehand about the court's decision in the latter's favor, so, not wishing to be outdone in generosity, he had tried to set aside the decision of the chess-match. But when Ibarra would not consent to this, he had proposed that the money which would have been spent in court fees should be used to pay a teacher in the new school. In consequence, the orator employed all his eloquence to the end that other litigants should give up their extravagant claims, saying to them, "Believe me, in a lawsuit the winner is left without a camisa." But he had succeeded in convincing no one, even though he cited the Romans.
After drinking the chocolate our young people had to listen to piano-playing by the town organist. "When I listen to him in the church," exclaimed Sinang, pointing to the organist, "I want to dance, and now that he's playing here I feel like praying, so I'm going out with you."
"Don't you want to join us tonight?" whispered Capitan Basilio into Ibarra's ear as they were leaving. "Padre Damaso is going to set up a little bank." Ibarra smiled and answered with an equivocal shake of his head.
"Who's that?" asked Maria Clara of Victoria, indicating with a rapid glance a youth who was following them.
"He's--he's a cousin of mine," she answered with some agitation.
"And the other?"
"He's no cousin of mine," put in Sinang merrily. "He's my uncle's son."
They passed in front of the parish rectory, which was not one of the least animated buildings. Sinang was unable to repress an exclamation of surprise on seeing the lamps burning, those lamps of antique pattern which Padre Salvi had never allowed to be lighted, in order not to waste kerosene. Loud talk and resounding bursts of laughter might be heard as the friars moved slowly about, nodding their heads in unison with the big cigars that adorned their lips. The laymen with them, who from their European garments appeared to be officials and employees of the province, were endeavoring to imitate whatever the good priests did. Maria Clara made out the rotund figure of Padre Damaso at the side of the trim silhouette of Padre Sibyla. Motionless in his place stood the silent and mysterious Fray Salvi.
"He's sad," observed Sinang, "for he's thinking about how much so many visitors are going to cost. But you'll see how he'll not pay it himself, but the sacristans will. His visitors always eat at other places."
"Sinang!" scolded Victoria.
"I haven't been able to endure him since he tore up the Wheel of Fortune. I don't go to confession to him any more."
Of all the houses one only was to be noticed without lights and with all the windows closed--that of the alferez. Maria Clara expressed surprise at this.
"The witch! The Muse of the Civil Guard, as the old man says," exclaimed the irrepressible Sinang. "What has she to do with our merrymakings? I imagine she's raging! But just let the cholera come and you'd see her give a banquet."
"But, Sinang!" again her cousin scolded.
"I never was able to endure her and especially since she disturbed our picnic with her civil-guards. If I were the Archbishop I'd marry Her to Padre Salvi--then think what children! Look how she tried to arrest the poor pilot, who threw himself into the water simply to please--"
She was not allowed to finish, for in the corner of the plaza where a blind man was singing to the accompaniment of a guitar, a curious spectacle was presented. It was a man miserably dressed, wearing a broad salakot of palm leaves. His clothing consisted of a ragged coat and wide pantaloons, like those worn by the Chinese, torn in many places. Wretched sandals covered his feet. His countenance remained hidden in the shadow of his wide hat, but from this shadow there flashed intermittently two burning rays. Placing a flat basket on the ground, he would withdraw a few paces and utter strange, incomprehensible sounds, remaining the while standing entirely alone as if he and the crowd were mutually avoiding each other. Then some women would approach the basket and put into it fruit, fish, or rice. When no one any longer approached, from the shadows would issue sadder but less pitiful sounds, cries of gratitude perhaps. Then he would take up the basket and make his way to another place to repeat the same performance.
Maria Clara divined that there must be some misfortune there, and full of interest she asked concerning the strange creature.
"He's a leper," Iday told her. "Four years ago he contracted the disease, some say from taking care of his mother, others from lying in a damp prison. He lives in the fields near the Chinese cemetery, having intercourse with no one, because all flee from him for fear of contagion. If you might only see his home! It's a tumbledown shack, through which the wind and rain pass like a needle through cloth. He has been forbidden to touch anything belonging to the people. One day when a little child fell into a shallow ditch as he was passing, he helped to get it out. The child's father complained to the gobernadorcillo, who ordered that the leper be flogged through the streets and that the rattan be burned afterwards. It was horrible! The leper fled with his flogger in pursuit, while the gobernadorcillo cried, 'Catch him! Better be drowned than get the disease you have!'"
