The Great German Composers 29 – Ferris · Library Across
Literature · Music
The Great German Composers 29Part 5 · Chapter 5
18
Literature · Music
The Great German Composers 29
Part 5 · Chapter 5
FerrisEnglish
The friendship of the Archduke Rudolph relieved Beethoven of the immediate pressure of poverty; for in 1809 he settled a small life-pension upon him. The next ten years were passed by him in comparative ease and comfort, and in this time he gave to the world five of his immortal symphonies, and a large number of his finest sonatas and masses. His general health improved very much; and in his love for his nephew Karl, whom Beethoven had adopted, the lonely man found an outlet for his strong affections, which was medicine for his soul, though the object was worthless and ungrateful.
We get curious and amusing insights into the daily tenor of Beethoven's life during this period--things sometimes almost grotesque, were they not so sad. The composer lived a solitary life, and was very much at the mercy of his servants on account of his self-absorption and deafness. He was much worried by these prosaic cares. One story of a slatternly servant is as follows: The master was working at the mass in D, the great work which he commenced in 1819 for the celebration of the appointment of the Archduke Rudolph as Archbishop of Olmutz, and which should have been completed by the following year. Beethoven, however, became so engrossed with his work, and increased its proportions so much, that it was not finished until some two years after the event which it was intended to celebrate. While Beethoven was engaged upon this score, he one day woke up to the fact that some of his pages were missing. "Where on earth could they be?" he asked himself, and the servant too; but the problem remained unsolved. Beethoven, beside himself, spent hours and hours in searching, and so did the servant, but it was all in vain. At last they gave up the task as a useless one, and Beethoven, mad with despair, and pouring the very opposite to blessings upon the head of her who, he believed, was the author of the mischief, sat down with the conclusion that he must rewrite the missing part. He had no sooner commenced a new Kyrie--for this was the movement which was not to be found--than some loose sheets of score paper were discovered in the kitchen! Upon examination they proved to be the identical pages that Beethoven so much desired, and which the woman, in her anxiety to be "tidy" and to "keep things straight," had appropriated at some time or other for wrapping up, not only old boots and clothes, but also some superannuated pots and pans that were greasy and black!
Thus he was continually fretted by the carelessness or the rascality of the servants in whom he was obliged to trust. He writes in his diary: "Nancy is too uneducated for a housekeeper--indeed, quite a beast." "My precious servants were occupied from seven o'clock till ten trying to kindle a fire." "The cook's off again." "I shied half a dozen books at her head." They made his dinner so nasty he couldn't eat it. "No soup to-day, no beef, no eggs. Got something from the inn at last."
His temper and peculiarities, too, made it difficult for him to live in peace with landlords and fellow-lodgers. As his deafness increased, he struck and thumped harder at the keys of his piano, the sound of which he could scarcely hear. Nor was this all. The music that filled his brain gave him no rest. He became an inspired madman. For hours he would pace the room "howling and roaring" (as his pupil Ries puts it); or he would stand beating time with hand and foot to the music which was so vividly present to his mind. This soon put him into a feverish excitement, when, to cool himself, he would take his water-jug, and, thoughtless of everything, pour its contents over his hands, after which he could sit down to his piano. With all this it can easily be imagined that Beethoven was frequently remonstrated with. The landlord complained of a damaged ceiling, and the fellow-lodgers declared that either they or the madman must leave the house, for they could get no rest where he was. So Beethoven never for long had a resting-place. Impatient at being interfered with, he immediately packed up and went off to some other vacant lodging. From this cause he was at one time paying the rent of four lodgings at once. At times he would get tired of this changing from one place to another--from the suburbs to the town--and then he would fall back upon the hospitable home of a patron, once again taking possession of an apartment which he had vacated, probably without the least explanation or cause. One admirer of his genius, who always reserved him a chamber in his establishment, used to say to his servants: "Leave it empty; Beethoven is sure to come back again."
The instant that Beethoven entered the house he began to write and cipher on the walls, the blinds, the table, everything, in the most abstracted manner. He frequently composed on slips of paper, which he afterward misplaced, so that he had great difficulty in finding them. At one time, indeed, he forgot his own name and the date of his birth.
It is said that he once went into a Viennese restaurant, and, instead of giving an order, began to write a score on the back of the bill-of-fare, absorbed and unconscious of time and place. At last he asked how much he owed. "You owe nothing, sir," said the waiter. "What! do you think I have not dined?" "Most assuredly." "Very well, then, give me something." "What do you wish?" "Anything."
These infirmities do not belittle the man of genius, but set off his greatness as with a foil. They illustrate the thought of Goethe: "It is all the same whether one is great or small, he has to pay the reckoning of humanity."
