Complete Original Short Stories of Guy De Maupassant 51 – Henderson · Library Across
Literature · Short Stories
Complete Original Short Stories of Guy De Maupassant 51Part 2 · Chapter 2 (part 11)
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Literature · Short Stories
Complete Original Short Stories of Guy De Maupassant 51
Part 2 · Chapter 2 (part 11)
HendersonEnglish
“For a long time I have been thinking of clearing out my drawers; for, for the last thirty years, I have been throwing my letters and bills pell-mell into the same desk, and this confusion has often caused me considerable trouble. But I feel such moral and physical laziness at the sole idea of putting anything in order that I have never had the courage to begin this tedious business.
“I therefore opened my desk, intending to choose among my old papers and destroy the majority of them.
“At first I was bewildered by this array of documents, yellowed by age, then I chose one.
“Oh! if you cherish life, never disturb the burial place of old letters!
“And if, perchance, you should, take the contents by the handful, close your eyes that you may not read a word, so that you may not recognize some forgotten handwriting which may plunge you suddenly into a sea of memories; carry these papers to the fire; and when they are in ashes, crush them to an invisible powder, or otherwise you are lost—just as I have been lost for an hour.
“The first letters which I read did not interest me greatly. They were recent, and came from living men whom I still meet quite often, and whose presence does not move me to any great extent. But all at once one envelope made me start. My name was traced on it in a large, bold handwriting; and suddenly tears came to my eyes. That letter was from my dearest friend, the companion of my youth, the confidant of my hopes; and he appeared before me so clearly, with his pleasant smile and his hand outstretched, that a cold shiver ran down my back. Yes, yes, the dead come back, for I saw him! Our memory is a more perfect world than the universe: it gives back life to those who no longer exist.
“With trembling hand and dimmed eyes I reread everything that he told me, and in my poor sobbing heart I felt a wound so painful that I began to groan as a man whose bones are slowly being crushed.
“Then I travelled over my whole life, just as one travels along a river. I recognized people, so long forgotten that I no longer knew their names. Their faces alone lived in me. In my mother's letters I saw again the old servants, the shape of our house and the little insignificant odds and ends which cling to our minds.
“Yes, I suddenly saw again all my mother's old gowns, the different styles which she adopted and the several ways in which she dressed her hair. She haunted me especially in a silk dress, trimmed with old lace; and I remembered something she said one day when she was wearing this dress. She said: 'Robert, my child, if you do not stand up straight you will be round-shouldered all your life.'
“Then, opening another drawer, I found myself face to face with memories of tender passions: a dancing-pump, a torn handkerchief, even a garter, locks of hair and dried flowers. Then the sweet romances of my life, whose living heroines are now white-haired, plunged me into the deep melancholy of things. Oh, the young brows where blond locks curl, the caress of the hands, the glance which speaks, the hearts which beat, that smile which promises the lips, those lips which promise the embrace! And the first kiss-that endless kiss which makes you close your eyes, which drowns all thought in the immeasurable joy of approaching possession!
“Taking these old pledges of former love in both my hands, I covered them with furious caresses, and in my soul, torn by these memories, I saw them each again at the hour of surrender; and I suffered a torture more cruel than all the tortures invented in all the fables about hell.
“One last letter remained. It was written by me and dictated fifty years ago by my writing teacher. Here it is:
“'MY DEAR LITTLE MAMMA:
“'I am seven years old to-day. It is the age of reason. I take advantage of it to thank you for having brought me into this world.
“'Your little son, who loves you
“'ROBERT.'
“It is all over. I had gone back to the beginning, and suddenly I turned my glance on what remained to me of life. I saw hideous and lonely old age, and approaching infirmities, and everything over and gone. And nobody near me!
“My revolver is here, on the table. I am loading it . . . . Never reread your old letters!”
And that is how many men come to kill themselves; and we search in vain to discover some great sorrow in their lives.
AN ARTIFICE
The old doctor sat by the fireside, talking to his fair patient who was lying on the lounge. There was nothing much the matter with her, except that she had one of those little feminine ailments from which pretty women frequently suffer—slight anaemia, a nervous attack, etc.
“No, doctor,” she said; “I shall never be able to understand a woman deceiving her husband. Even allowing that she does not love him, that she pays no heed to her vows and promises, how can she give herself to another man? How can she conceal the intrigue from other people's eyes? How can it be possible to love amid lies and treason?”
The doctor smiled, and replied: “It is perfectly easy, and I can assure you that a woman does not think of all those little subtle details when she has made up her mind to go astray.
“As for dissimulation, all women have plenty of it on hand for such occasions, and the simplest of them are wonderful, and extricate themselves from the greatest dilemmas in a remarkable manner.”
The young woman, however, seemed incredulous.
“No, doctor,” she said; “one never thinks until after it has happened of what one ought to have done in a critical situation, and women are certainly more liable than men to lose their head on such occasions:”
The doctor raised his hands. “After it has happened, you say! Now I will tell you something that happened to one of my female patients, whom I always considered an immaculate woman.
“It happened in a provincial town, and one night when I was asleep, in that deep first sleep from which it is so difficult to rouse us, it seemed to me, in my dreams, as if the bells in the town were sounding a fire alarm, and I woke up with a start. It was my own bell, which was ringing wildly, and as my footman did not seem to be answering the door, I, in turn, pulled the bell at the head of my bed, and soon I heard a banging, and steps in the silent house, and Jean came into my room, and handed me a letter which said: 'Madame Lelievre begs Dr. Simeon to come to her immediately.'
“I thought for a few moments, and then I said to myself: 'A nervous attack, vapors; nonsense, I am too tired.' And so I replied: 'As Dr. Simeon is not at all well, he must beg Madame Lelievre to be kind enough to call in his colleague, Monsieur Bonnet.' I put the note into an envelope and went to sleep again, but about half an hour later the street bell rang again, and Jean came to me and said: 'There is somebody downstairs; I do not quite know whether it is a man or a woman, as the individual is so wrapped up, but they wish to speak to you immediately. They say it is a matter of life and death for two people.' Whereupon I sat up in bed and told him to show the person in.
“A kind of black phantom appeared and raised her veil as soon as Jean had left the room. It was Madame Berthe Lelievre, quite a young woman, who had been married for three years to a large merchant in the town, who was said to have married the prettiest girl in the neighborhood.
“She was terribly pale, her face was contracted as the faces of insane people are, occasionally, and her hands trembled violently. Twice she tried to speak without being able to utter a sound, but at last she stammered out: 'Come—quick—quick, doctor. Come—my—friend has just died in my bedroom.' She stopped, half suffocated with emotion, and then went on: 'My husband will be coming home from the club very soon.'
“I jumped out of bed without even considering that I was only in my nightshirt, and dressed myself in a few moments, and then I said: 'Did you come a short time ago?' 'No,' she said, standing like a statue petrified with horror. 'It was my servant—she knows.' And then, after a short silence, she went on: 'I was there—by his side.' And she uttered a sort of cry of horror, and after a fit of choking, which made her gasp, she wept violently, and shook with spasmodic sobs for a minute: or two. Then her tears suddenly ceased, as if by an internal fire, and with an air of tragic calmness, she said: 'Let us make haste.'
“I was ready, but exclaimed: 'I quite forgot to order my carriage.' 'I have one,' she said; 'it is his, which was waiting for him!' She wrapped herself up, so as to completely conceal her face, and we started.
“When she was by my side in the carriage she suddenly seized my hand, and crushing it in her delicate fingers, she said, with a shaking voice, that proceeded from a distracted heart: 'Oh! if you only knew, if you only knew what I am suffering! I loved him, I have loved him distractedly, like a madwoman, for the last six months.' 'Is anyone up in your house?' I asked. 'No, nobody except those, who knows everything.'
“We stopped at the door, and evidently everybody was asleep. We went in without making any noise, by means of her latch-key, and walked upstairs on tiptoe. The frightened servant was sitting on the top of the stairs with a lighted candle by her side, as she was afraid to remain with the dead man, and I went into the room, which was in great disorder. Wet towels, with which they had bathed the young man's temples, were lying on the floor, by the side of a washbasin and a glass, while a strong smell of vinegar pervaded the room.
“The dead man's body was lying at full length in the middle of the room, and I went up to it, looked at it, and touched it. I opened the eyes and felt the hands, and then, turning to the two women, who were shaking as if they were freezing, I said to them: 'Help me to lift him on to the bed.' When we had laid him gently on it, I listened to his heart and put a looking-glass to his lips, and then said: 'It is all over.' It was a terrible sight!
“I looked at the man, and said: 'You ought to arrange his hair a little.' The girl went and brought her mistress' comb and brush, but as she was trembling, and pulling out his long, matted hair in doing it, Madame Lelievre took the comb out of her hand, and arranged his hair as if she were caressing him. She parted it, brushed his beard, rolled his mustaches gently round her fingers, then, suddenly, letting go of his hair, she took the dead man's inert head in her hands and looked for a long time in despair at the dead face, which no longer could smile at her, and then, throwing herself on him, she clasped him in her arms and kissed him ardently. Her kisses fell like blows on his closed mouth and eyes, his forehead and temples; and then, putting her lips to his ear, as if he could still hear her, and as if she were about to whisper something to him, she said several times, in a heartrending voice:
“'Good-by, my darling!'
“Just then the clock struck twelve, and I started up. 'Twelve o'clock!' I exclaimed. 'That is the time when the club closes. Come, madame, we have not a moment to lose!' She started up, and I said:
“'We must carry him into the drawing-room.' And when we had done this, I placed him on a sofa, and lit the chandeliers, and just then the front door was opened and shut noisily. 'Rose, bring me the basin and the towels, and make the room look tidy. Make haste, for Heaven's sake! Monsieur Lelievre is coming in.'
“I heard his steps on the stairs, and then his hands feeling along the walls. 'Come here, my dear fellow,' I said; 'we have had an accident.'
“And the astonished husband appeared in the door with a cigar in his mouth, and said: 'What is the matter? What is the meaning of this?' 'My dear friend,' I said, going up to him, 'you find us in great embarrassment. I had remained late, chatting with your wife and our friend, who had brought me in his carriage, when he suddenly fainted, and in spite of all we have done, he has remained unconscious for two hours. I did not like to call in strangers, and if you will now help me downstairs with him, I shall be able to attend to him better at his own house.'
“The husband, who was surprised, but quite unsuspicious, took off his hat, and then he took his rival, who would be quite inoffensive for the future, under the arms. I got between his two legs, as if I had been a horse between the shafts, and we went downstairs, while his wife held a light for us. When we got outside I stood the body up, so as to deceive the coachman, and said: 'Come, my friend; it is nothing; you feel better already I expect. Pluck up your courage, and make an effort. It will soon be over.' But as I felt that he was slipping out of my hands, I gave him a slap on the shoulder, which sent him forward and made him fall into the carriage, and then I got in after him. Monsieur Lelievre, who was rather alarmed, said to me: 'Do you think it is anything serious?' To which I replied: 'No,' with a smile, as I looked at his wife, who had put her arm into that of her husband, and was trying to see into the carriage.
“I shook hands with them and told my coachman to start, and during the whole drive the dead man kept falling against me. When we got to his house I said that he had become unconscious on the way home, and helped to carry him upstairs, where I certified that he was dead, and acted another comedy to his distracted family, and at last I got back to bed, not without swearing at lovers.”
The doctor ceased, though he was still smiling, and the young woman, who was in a very nervous state, said: “Why have you told me that terrible story?”
He gave her a gallant bow, and replied:
“So that I may offer you my services if they should be needed.”
DREAMS
They had just dined together, five old friends, a writer, a doctor and three rich bachelors without any profession.
They had talked about everything, and a feeling of lassitude came over them, that feeling which precedes and leads to the departure of guests after festive gatherings. One of those present, who had for the last five minutes been gazing silently at the surging boulevard dotted with gas-lamps, with its rattling vehicles, said suddenly:
“When you've nothing to do from morning till night, the days are long.”
“And the nights too,” assented the guest who sat next to him. “I sleep very little; pleasures fatigue me; conversation is monotonous. Never do I come across a new idea, and I feel, before talking to any one, a violent longing to say nothing and to listen to nothing. I don't know what to do with my evenings.”
The third idler remarked:
“I would pay a great deal for anything that would help me to pass just two pleasant hours every day.”
The writer, who had just thrown his overcoat across his arm, turned round to them, and said:
“The man who could discover a new vice and introduce it among his fellow creatures, even if it were to shorten their lives, would render a greater service to humanity than the man who found the means of securing to them eternal salvation and eternal youth.”
The doctor burst out laughing, and, while he chewed his cigar, he said:
“Yes, but it is not so easy to discover it. Men have however crudely, been seeking for—and working for the object you refer to since the beginning of the world. The men who came first reached perfection at once in this way. We are hardly equal to them.”
One of the three idlers murmured:
“What a pity!”
Then, after a minute's pause, he added:
“If we could only sleep, sleep well, without feeling hot or cold, sleep with that perfect unconsciousness we experience on nights when we are thoroughly fatigued, sleep without dreams.”
“Why without dreams?” asked the guest sitting next to him.
The other replied:
“Because dreams are not always pleasant; they are always fantastic, improbable, disconnected; and because when we are asleep we cannot have the sort of dreams we like. We ought to dream waking.”
“And what's to prevent you?” asked the writer.
The doctor flung away the end of his cigar.
“My dear fellow, in order to dream when you are awake, you need great power and great exercise of will, and when you try to do it, great weariness is the result. Now, real dreaming, that journey of our thoughts through delightful visions, is assuredly the sweetest experience in the world; but it must come naturally, it must not be provoked in a painful, manner, and must be accompanied by absolute bodily comfort. This power of dreaming I can give you, provided you promise that you will not abuse it.”
The writer shrugged his shoulders:
“Ah! yes, I know—hasheesh, opium, green tea—artificial paradises. I have read Baudelaire, and I even tasted the famous drug, which made me very sick.”
But the doctor, without stirring from his seat, said:
“No; ether, nothing but ether; and I would suggest that you literary men should use it sometimes.”
The three rich bachelors drew closer to the doctor.
One of them said:
“Explain to us the effects of it.”
And the doctor replied:
“Let us put aside big words, shall we not? I am not talking of medicine or morality; I am talking of pleasure. You give yourselves up every day to excesses which consume your lives. I want to indicate to you a new sensation, possible only to intelligent men—let us say even very intelligent men—dangerous, like everything else that overexcites our organs, but exquisite. I might add that you would require a certain preparation, that is to say, practice, to feel in all their completeness the singular effects of ether.
“They are different from the effects of hasheesh, of opium, or morphia, and they cease as soon as the absorption of the drug is interrupted, while the other generators of day dreams continue their action for hours.
“I am now going to try to analyze these feelings as clearly as possible. But the thing is not easy, so facile, so delicate, so almost imperceptible, are these sensations.
“It was when I was attacked by violent neuralgia that I made use of this remedy, which since then I have, perhaps, slightly abused.
“I had acute pains in my head and neck, and an intolerable heat of the skin, a feverish restlessness. I took up a large bottle of ether, and, lying down, I began to inhale it slowly.
“At the end of some minutes I thought I heard a vague murmur, which ere long became a sort of humming, and it seemed to me that all the interior of my body had become light, light as air, that it was dissolving into vapor.
“Then came a sort of torpor, a sleepy sensation of comfort, in spite of the pains which still continued, but which had ceased to make themselves felt. It was one of those sensations which we are willing to endure and not any of those frightful wrenches against which our tortured body protests.
“Soon the strange and delightful sense of emptiness which I felt in my chest extended to my limbs, which, in their turn, became light, as light as if the flesh and the bones had been melted and the skin only were left, the skin necessary to enable me to realize the sweetness of living, of bathing in this sensation of well-being. Then I perceived that I was no longer suffering. The pain had gone, melted away, evaporated. And I heard voices, four voices, two dialogues, without understanding what was said. At one time there were only indistinct sounds, at another time a word reached my ear. But I recognized that this was only the humming I had heard before, but emphasized. I was not asleep; I was not awake; I comprehended, I felt, I reasoned with the utmost clearness and depth, with extraordinary energy and intellectual pleasure, with a singular intoxication arising from this separation of my mental faculties.
“It was not like the dreams caused by hasheesh or the somewhat sickly visions that come from opium; it was an amazing acuteness of reasoning, a new way of seeing, judging and appreciating the things of life, and with the certainty, the absolute consciousness that this was the true way.
“And the old image of the Scriptures suddenly came back to my mind. It seemed to me that I had tasted of the Tree of Knowledge, that all the mysteries were unveiled, so much did I find myself under the sway of a new, strange and irrefutable logic. And arguments, reasonings, proofs rose up in a heap before my brain only to be immediately displaced by some stronger proof, reasoning, argument. My head had, in fact, become a battleground of ideas. I was a superior being, armed with invincible intelligence, and I experienced a huge delight at the manifestation of my power.
“It lasted a long, long time. I still kept inhaling the ether from my flagon. Suddenly I perceived that it was empty.”
The four men exclaimed at the same time:
“Doctor, a prescription at once for a liter of ether!”
But the doctor, putting on his hat, replied:
“As to that, certainly not; go and let some one else poison you!”
And he left them.
Ladies and gentlemen, what is your opinion on the subject?
SIMON'S PAPA
Noon had just struck. The school door opened and the youngsters darted out, jostling each other in their haste to get out quickly. But instead of promptly dispersing and going home to dinner as usual, they stopped a few paces off, broke up into knots, and began whispering.
The fact was that, that morning, Simon, the son of La Blanchotte, had, for the first time, attended school.
They had all of them in their families heard talk of La Blanchotte; and, although in public she was welcome enough, the mothers among themselves treated her with a somewhat disdainful compassion, which the children had imitated without in the least knowing why.
As for Simon himself, they did not know him, for he never went out, and did not run about with them in the streets of the village, or along the banks of the river. And they did not care for him; so it was with a certain delight, mingled with considerable astonishment, that they met and repeated to each other what had been said by a lad of fourteen or fifteen who appeared to know all about it, so sagaciously did he wink. “You know—Simon—well, he has no papa.”
Just then La Blanchotte's son appeared in the doorway of the school.
He was seven or eight years old, rather pale, very neat, with a timid and almost awkward manner.
He was starting home to his mother's house when the groups of his schoolmates, whispering and watching him with the mischievous and heartless eyes of children bent upon playing a nasty trick, gradually closed in around him and ended by surrounding him altogether. There he stood in their midst, surprised and embarrassed, not understanding what they were going to do with him. But the lad who had brought the news, puffed up with the success he had met with already, demanded:
“What is your name, you?”
He answered: “Simon.”
“Simon what?” retorted the other.
The child, altogether bewildered, repeated: “Simon.”
The lad shouted at him: “One is named Simon something—that is not a name—Simon indeed.”
The child, on the brink of tears, replied for the third time:
“My name is Simon.”
The urchins began to laugh. The triumphant tormentor cried: “You can see plainly that he has no papa.”
A deep silence ensued. The children were dumfounded by this extraordinary, impossible, monstrous thing—a boy who had not a papa; they looked upon him as a phenomenon, an unnatural being, and they felt that hitherto inexplicable contempt of their mothers for La Blanchotte growing upon them. As for Simon, he had leaned against a tree to avoid falling, and he remained as if prostrated by an irreparable disaster. He sought to explain, but could think of nothing-to say to refute this horrible charge that he had no papa. At last he shouted at them quite recklessly: “Yes, I have one.”
“Where is he?” demanded the boy.
Simon was silent, he did not know. The children roared, tremendously excited; and those country boys, little more than animals, experienced that cruel craving which prompts the fowls of a farmyard to destroy one of their number as soon as it is wounded. Simon suddenly espied a little neighbor, the son of a widow, whom he had seen, as he himself was to be seen, always alone with his mother.
“And no more have you,” he said; “no more have you a papa.”
“Yes,” replied the other, “I have one.”
“Where is he?” rejoined Simon.
“He is dead,” declared the brat, with superb dignity; “he is in the cemetery, is my papa.”
A murmur of approval rose among the little wretches as if this fact of possessing a papa dead in a cemetery had caused their comrade to grow big enough to crush the other one who had no papa at all. And these boys, whose fathers were for the most part bad men, drunkards, thieves, and who beat their wives, jostled each other to press closer and closer, as though they, the legitimate ones, would smother by their pressure one who was illegitimate.
The boy who chanced to be next Simon suddenly put his tongue out at him with a mocking air and shouted at him:
“No papa! No papa!”
Simon seized him by the hair with both hands and set to work to disable his legs with kicks, while he bit his cheek ferociously. A tremendous struggle ensued between the two combatants, and Simon found himself beaten, torn, bruised, rolled on the ground in the midst of the ring of applauding schoolboys. As he arose, mechanically brushing with his hand his little blouse all covered with dust, some one shouted at him:
“Go and tell your papa.”
Then he felt a great sinking at his heart. They were stronger than he was, they had beaten him, and he had no answer to give them, for he knew well that it was true that he had no papa. Full of pride, he attempted for some moments to struggle against the tears which were choking him. He had a feeling of suffocation, and then without any sound he commenced to weep, with great shaking sobs. A ferocious joy broke out among his enemies, and, with one accord, just like savages in their fearful festivals, they took each other by the hand and danced round him in a circle, repeating as a refrain:
“No papa! No papa!”
But suddenly Simon ceased sobbing. He became ferocious. There were stones under his feet; he picked them up and with all his strength hurled them at his tormentors. Two or three were struck and rushed off yelling, and so formidable did he appear that the rest became panic- stricken. Cowards, as the mob always is in presence of an exasperated man, they broke up and fled. Left alone, the little fellow without a father set off running toward the fields, for a recollection had been awakened in him which determined his soul to a great resolve. He made up his mind to drown himself in the river.
He remembered, in fact, that eight days before, a poor devil who begged for his livelihood had thrown himself into the water because he had no more money. Simon had been there when they fished him out again; and the wretched man, who usually seemed to him so miserable, and ugly, had then struck him as being so peaceful with his pale cheeks, his long drenched beard, and his open eyes full of calm. The bystanders had said:
“He is dead.”
And some one had said:
“He is quite happy now.”
And Simon wished to drown himself also, because he had no father, just like the wretched being who had no money.
He reached the water and watched it flowing. Some fish were sporting briskly in the clear stream and occasionally made a little bound and caught the flies flying on the surface. He stopped crying in order to watch them, for their maneuvers interested him greatly. But, at intervals, as in a tempest intervals of calm alternate suddenly with tremendous gusts of wind, which snap off the trees and then lose themselves in the horizon, this thought would return to him with intense pain:
“I am going to drown myself because I have no papa.”
It was very warm, fine weather. The pleasant sunshine warmed the grass. The water shone like a mirror. And Simon enjoyed some minutes of happiness, of that languor which follows weeping, and felt inclined to fall asleep there upon the grass in the warm sunshine.
A little green frog leaped from under his feet. He endeavored to catch it. It escaped him. He followed it and lost it three times in succession. At last he caught it by one of its hind legs and began to laugh as he saw the efforts the creature made to escape. It gathered itself up on its hind legs and then with a violent spring suddenly stretched them out as stiff as two bars; while it beat the air with its front legs as though they were hands, its round eyes staring in their circle of yellow. It reminded him of a toy made of straight slips of wood nailed zigzag one on the other; which by a similar movement regulated the movements of the little soldiers fastened thereon. Then he thought of his home, and then of his mother, and, overcome by sorrow, he again began to weep. A shiver passed over him. He knelt down and said his prayers as before going to bed. But he was unable to finish them, for tumultuous, violent sobs shook his whole frame. He no longer thought, he no longer saw anything around him, and was wholly absorbed in crying.
Suddenly a heavy hand was placed upon his shoulder, and a rough voice asked him:
“What is it that causes you so much grief, my little man?”
Simon turned round. A tall workman with a beard and black curly hair was staring at him good-naturedly. He answered with his eyes and throat full of tears:
“They beat me—because—I—I have no—papa—no papa.”
“What!” said the man, smiling; “why, everybody has one.”
The child answered painfully amid his spasms of grief:
“But I—I—I have none.”
Then the workman became serious. He had recognized La Blanchotte's son, and, although himself a new arrival in the neighborhood, he had a vague idea of her history.
“Well,” said he, “console yourself, my boy, and come with me home to your mother. They will give you—a papa.”
And so they started on the way, the big fellow holding the little fellow by the hand, and the man smiled, for he was not sorry to see this Blanchotte, who was, it was said, one of the prettiest girls of the countryside, and, perhaps, he was saying to himself, at the bottom of his heart, that a lass who had erred might very well err again.
They arrived in front of a very neat little white house.
“There it is,” exclaimed the child, and he cried, “Mamma!”
A woman appeared, and the workman instantly left off smiling, for he saw at once that there was no fooling to be done with the tall pale girl who stood austerely at her door as though to defend from one man the threshold of that house where she had already been betrayed by another. Intimidated, his cap in his hand, he stammered out:
“See, madame, I have brought you back your little boy who had lost himself near the river.”
But Simon flung his arms about his mother's neck and told her, as he again began to cry:
“No, mamma, I wished to drown myself, because the others had beaten me —had beaten me—because I have no papa.”
A burning redness covered the young woman's cheeks; and, hurt to the quick, she embraced her child passionately, while the tears coursed down her face. The man, much moved, stood there, not knowing how to get away.
But Simon suddenly ran to him and said:
“Will you be my papa?”
A deep silence ensued. La Blanchotte, dumb and tortured with shame, leaned herself against the wall, both her hands upon her heart. The child, seeing that no answer was made him, replied:
“If you will not, I shall go back and drown myself.”
The workman took the matter as a jest and answered, laughing:
“Why, yes, certainly I will.”
“What is your name,” went on the child, “so that I may tell the others when they wish to know your name?”
“Philip,” answered the man:
Simon was silent a moment so that he might get the name well into his head; then he stretched out his arms, quite consoled, as he said:
“Well, then, Philip, you are my papa.”
The workman, lifting him from the ground, kissed him hastily on both cheeks, and then walked away very quickly with great strides. When the child returned to school next day he was received with a spiteful laugh, and at the end of school, when the lads were on the point of recommencing, Simon threw these words at their heads as he would have done a stone: “He is named Philip, my papa.”
Yells of delight burst out from all sides.
“Philip who? Philip what? What on earth is Philip? Where did you pick up your Philip?”
Simon answered nothing; and, immovable in his faith, he defied them with his eye, ready to be martyred rather than fly before them. The school master came to his rescue and he returned home to his mother.
During three months, the tall workman, Philip, frequently passed by La Blanchotte's house, and sometimes he made bold to speak to her when he saw her sewing near the window. She answered him civilly, always sedately, never joking with him, nor permitting him to enter her house. Notwithstanding, being, like all men, a bit of a coxcomb, he imagined that she was often rosier than usual when she chatted with him.
But a lost reputation is so difficult to regain and always remains so fragile that, in spite of the shy reserve of La Blanchotte, they already gossiped in the neighborhood.
As for Simon he loved his new papa very much, and walked with him nearly every evening when the day's work was done. He went regularly to school, and mixed with great dignity with his schoolfellows without ever answering them back.
One day, however, the lad who had first attacked him said to him:
“You have lied. You have not a papa named Philip.”
“Why do you say that?” demanded Simon, much disturbed.
The youth rubbed his hands. He replied:
“Because if you had one he would be your mamma's husband.”
Simon was confused by the truth of this reasoning; nevertheless, he retorted:
“He is my papa, all the same.”
“That can very well be,” exclaimed the urchin with a sneer, “but that is not being your papa altogether.”
La Blanchotte's little one bowed his head and went off dreaming in the direction of the forge belonging to old Loizon, where Philip worked. This forge was as though buried beneath trees. It was very dark there; the red glare of a formidable furnace alone lit up with great flashes five blacksmiths; who hammered upon their anvils with a terrible din. They were standing enveloped in flame, like demons, their eyes fixed on the red-hot iron they were pounding; and their dull ideas rose and fell with their hammers.
Simon entered without being noticed, and went quietly to pluck his friend by the sleeve. The latter turned round. All at once the work came to a standstill, and all the men looked on, very attentive. Then, in the midst of this unaccustomed silence, rose the slender pipe of Simon:
“Say, Philip, the Michaude boy told me just now that you were not altogether my papa.”
“Why not?” asked the blacksmith,
The child replied with all innocence:
“Because you are not my mamma's husband.”
No one laughed. Philip remained standing, leaning his forehead upon the back of his great hands, which supported the handle of his hammer standing upright upon the anvil. He mused. His four companions watched him, and Simon, a tiny mite among these giants, anxiously waited. Suddenly, one of the smiths, answering to the sentiment of all, said to Philip:
“La Blanchotte is a good, honest girl, and upright and steady in spite of her misfortune, and would make a worthy wife for an honest man.”
“That is true,” remarked the three others.
The smith continued:
“Is it the girl's fault if she went wrong? She had been promised marriage; and I know more than one who is much respected to-day, and who sinned every bit as much.”
“That is true,” responded the three men in chorus.
He resumed:
“How hard she has toiled, poor thing, to bring up her child all alone, and how she has wept all these years she has never gone out except to church, God only knows.”
“This is also true,” said the others.
Then nothing was heard but the bellows which fanned the fire of the furnace. Philip hastily bent himself down to Simon:
“Go and tell your mother that I am coming to speak to her this evening.” Then he pushed the child out by the shoulders. He returned to his work, and with a single blow the five hammers again fell upon their anvils. Thus they wrought the iron until nightfall, strong, powerful, happy, like contented hammers. But just as the great bell of a cathedral resounds upon feast days above the jingling of the other bells, so Philip's hammer, sounding above the rest, clanged second after second with a deafening uproar. And he stood amid the flying sparks plying his trade vigorously.
The sky was full of stars as he knocked at La Blanchotte's door. He had on his Sunday blouse, a clean shirt, and his beard was trimmed. The young woman showed herself upon the threshold, and said in a grieved tone:
“It is ill to come thus when night has fallen, Mr. Philip.”
He wished to answer, but stammered and stood confused before her.
She resumed:
“You understand, do you not, that it will not do for me to be talked about again.”
“What does that matter to me, if you will be my wife!”
No voice replied to him, but he believed that he heard in the shadow of the room the sound of a falling body. He entered quickly; and Simon, who had gone to bed, distinguished the sound of a kiss and some words that his mother murmured softly. Then, all at once, he found himself lifted up by the hands of his friend, who, holding him at the length of his herculean arms, exclaimed:
“You will tell them, your schoolmates, that your papa is Philip Remy, the blacksmith, and that he will pull the ears of all who do you any harm.”
On the morrow, when the school was full and lessons were about to begin, little Simon stood up, quite pale with trembling lips:
“My papa,” said he in a clear voice, “is Philip Remy, the blacksmith, and he has promised to pull the ears of all who does me any harm.”
This time no one laughed, for he was very well known, was Philip Remy, the blacksmith, and was a papa of whom any one in the world would have been proud.
ORIGINAL SHORT STORIES, Vol. 12.
GUY DE MAUPASSANT ORIGINAL SHORT STORIES Translated by ALBERT M. C. McMASTER, B.A. A. E. HENDERSON, B.A. MME. QUESADA and Others
VOLUME XII.
THE CHILD
Lemonnier had remained a widower with one child. He had loved his wife devotedly, with a tender and exalted love, without a slip, during their entire married life. He was a good, honest man, perfectly simple, sincere, without suspicion or malice.
He fell in love with a poor neighbor, proposed and was accepted. He was making a very comfortable living out of the wholesale cloth business, and he did not for a minute suspect that the young girl might have accepted him for anything else but himself.
She made him happy. She was everything to him; he only thought of her, looked at her continually, with worshiping eyes. During meals he would make any number of blunders, in order not to have to take his eyes from the beloved face; he would pour the wine in his plate and the water in the salt-cellar, then he would laugh like a child, repeating:
“You see, I love you too much; that makes me crazy.”
She would smile with a calm and resigned look; then she would look away, as though embarrassed by the adoration of her husband, and try to make him talk about something else; but he would take her hand under the table and he would hold it in his, whispering:
“My little Jeanne, my darling little Jeanne!”
She sometimes lost patience and said:
“Come, come, be reasonable; eat and let me eat.”
He would sigh and break off a mouthful of bread, which he would then chew slowly.
For five years they had no children. Then suddenly she announced to him that this state of affairs would soon cease. He was wild with joy. He no longer left her for a minute, until his old nurse, who had brought him up and who often ruled the house, would push him out and close the door behind him, in order to compel him to go out in the fresh air.
He had grown very intimate with a young man who had known his wife since childhood, and who was one of the prefect's secretaries. M. Duretour would dine three times a week with the Lemonniers, bringing flowers to madame, and sometimes a box at the theater; and often, at the end of the dinner, Lemonnier, growing tender, turning towards his wife, would explain: “With a companion like you and a friend like him, a man is completely happy on earth.”
She died in childbirth. The shock almost killed him. But the sight of the child, a poor, moaning little creature, gave him courage.
He loved it with a passionate and sorrowful love, with a morbid love in which stuck the memory of death, but in which lived something of his worship for the dead mother. It was the flesh of his wife, her being continued, a sort of quintessence of herself. This child was her very life transferred to another body; she had disappeared that it might exist, and the father would smother it in with kisses. But also, this child had killed her; he had stolen this beloved creature, his life was at the cost of hers. And M. Lemonnier would place his son in the cradle and would sit down and watch him. He would sit this way by the hour, looking at him, dreaming of thousands of things, sweet or sad. Then, when the little one was asleep, he would bend over him and sob.
The child grew. The father could no longer spend an hour away from him; he would stay near him, take him out for walks, and himself dress him, wash him, make him eat. His friend, M. Duretour, also seemed to love the boy; he would kiss him wildly, in those frenzies of tenderness which are characteristic of parents. He would toss him in his arms, he would trot him on his knees, by the hour, and M. Lemonnier, delighted, would mutter:
“Isn't he a darling? Isn't he a darling?”
And M. Duretour would hug the child in his arms and tickle his neck with his mustache.
Celeste, the old nurse, alone, seemed to have no tenderness for the little one. She would grow angry at his pranks, and seemed impatient at the caresses of the two men. She would exclaim:
“How can you expect to bring a child up like that? You'll make a perfect monkey out of him.”
Years went by, and Jean was nine years old. He hardly knew how to read; he had been so spoiled, and only did as he saw fit. He was willful, stubborn and quick-tempered. The father always gave in to him and let him have his own way. M. Duretour would always buy him all the toys he wished, and he fed him on cake and candies. Then Celeste would grow angry and exclaim:
“It's a shame, monsieur, a shame. You are spoiling this child. But it will have to stop; yes, sir, I tell you it will have to stop, and before long, too.”
M. Lemonnier would answer, smiling:
“What can you expect? I love him too much, I can't resist him; you must get used to it.”
Jean was delicate, rather. The doctor said that he was anaemic, prescribed iron, rare meat and broth.
But the little fellow loved only cake and refused all other nourishment; and the father, in despair, stuffed him with cream-puffs and chocolate eclairs.
One evening, as they were sitting down to supper, Celeste brought on the soup with an air of authority and an assurance which she did not usually have. She took off the cover and, dipping the ladle into the dish, she declared:
“Here is some broth such as I have never made; the young one will have to take some this time.”
M. Lemonnier, frightened, bent his head. He saw a storm brewing.
Celeste took his plate, filled it herself and placed it in front of him.
He tasted the soup and said:
“It is, indeed, excellent.”
The servant took the boy's plate and poured a spoonful of soup in it. Then she retreated a few steps and waited.
Jean smelled the food and pushed his plate away with an expression of disgust. Celeste, suddenly pale, quickly stepped forward and forcibly poured a spoonful down the child's open mouth.
He choked, coughed, sneezed, spat; howling, he seized his glass and threw it at his nurse. She received it full in the stomach. Then, exasperated, she took the young shaver's head under her arm and began pouring spoonful after spoonful of soup down his throat. He grew as red as a beet, and he would cough it up, stamping, twisting, choking, beating the air with his hands.
At first the father was so surprised that he could not move. Then, suddenly, he rushed forward, wild with rage, seized the servant by the throat and threw her up against the wall stammering:
“Out! Out! Out! you brute!”
But she shook him off, and, her hair streaming down her back, her eyes snapping, she cried out:
“What's gettin' hold of you? You're trying to thrash me because I am making this child eat soup when you are filling him with sweet stuff!”
He kept repeating, trembling from head to foot:
“Out! Get out-get out, you brute!”
Then, wild, she turned to him and, pushing her face up against his, her voice trembling:
“Ah!—you think-you think that you can treat me like that? Oh! no. And for whom?—for that brat who is not even yours. No, not yours! No, not yours—not yours! Everybody knows it, except yourself! Ask the grocer, the butcher, the baker, all of them, any one of them!”
She was growling and mumbling, choked with passion; then she stopped and looked at him.
He was motionless livid, his arms hanging by his sides. After a short pause, he murmured in a faint, shaky voice, instinct with deep feeling:
“You say? you say? What do you say?”
She remained silent, frightened by his appearance. Once more he stepped forward, repeating:
“You say—what do you say?”
Then in a calm voice, she answered:
“I say what I know, what everybody knows.”
He seized her and, with the fury of a beast, he tried to throw her down. But, although old, she was strong and nimble. She slipped under his arm, and running around the table once more furious, she screamed:
“Look at him, just look at him, fool that you are! Isn't he the living image of M. Durefour? just look at his nose and his eyes! Are yours like that? And his hair! Is it like his mother's? I tell you that everyone knows it, everyone except yourself! It's the joke of the town! Look at him!”
She went to the door, opened it, and disappeared.
Jean, frightened, sat motionless before his plate of soup.
At the end of an hour, she returned gently, to see how matters stood. The child, after doing away with all the cakes and a pitcher full of cream and one of syrup, was now emptying the jam-pot with his soup- spoon.
The father had gone out.
Celeste took the child, kissed him, and gently carried him to his room and put him to bed. She came back to the dining-room, cleared the table, put everything in place, feeling very uneasy all the time.
Not a single sound could be heard throughout the house. She put her ear against her master's door. He seemed to be perfectly still. She put her eye to the keyhole. He was writing, and seemed very calm.
Then she returned to the kitchen and sat down, ready for any emergency. She slept on a chair and awoke at daylight.
She did the rooms as she had been accustomed to every morning; she swept and dusted, and, towards eight o'clock, prepared M. Lemonnier's breakfast.
But she did not dare bring it to her master, knowing too well how she would be received; she waited for him to ring. But he did not ring. Nine o'clock, then ten o'clock went by.
Celeste, not knowing what to think, prepared her tray and started up with it, her heart beating fast.
She stopped before the door and listened. Everything was still. She knocked; no answer. Then, gathering up all her courage, she opened the door and entered. With a wild shriek, she dropped the breakfast tray which she had been holding in her hand.
In the middle of the room, M. Lemonnier was hanging by a rope from a ring in the ceiling. His tongue was sticking out horribly. His right slipper was lying on the ground, his left one still on his foot. An upturned chair had rolled over to the bed.
Celeste, dazed, ran away shrieking. All the neighbors crowded together. The physician declared that he had died at about midnight.
A letter addressed to M. Duretdur was found on the table of the suicide. It contained these words:
“I leave and entrust the child to you!”
A COUNTRY EXCURSION
For five months they had been talking of going to take luncheon in one of the country suburbs of Paris on Madame Dufour's birthday, and as they were looking forward very impatiently to the outing, they rose very early that morning. Monsieur Dufour had borrowed the milkman's wagon and drove himself. It was a very tidy, two-wheeled conveyance, with a cover supported by four iron rods, with curtains that had been drawn up, except the one at the back, which floated out like a sail. Madame Dufour, resplendent in a wonderful, cherry colored silk dress, sat by the side of her husband.
The old grandmother and a girl sat behind them on two chairs, and a boy with yellow hair was lying at the bottom of the wagon, with nothing to be seen of him except his head.
When they reached the bridge of Neuilly, Monsieur Dufour said: “Here we are in the country at last!” and at that signal his wife grew sentimental about the beauties of nature. When they got to the crossroads at Courbevoie they were seized with admiration for the distant landscape. On the right was Argenteuil with its bell tower, and above it rose the hills of Sannois and the mill of Orgemont, while on the left the aqueduct of Marly stood out against the clear morning sky, and in the distance they could see the terrace of Saint-Germain; and opposite them, at the end of a low chain of hills, the new fort of Cormeilles. Quite in the distance; a very long way off, beyond the plains and village, one could see the sombre green of the forests.
The sun was beginning to burn their faces, the dust got into their eyes, and on either side of the road there stretched an interminable tract of bare, ugly country with an unpleasant odor. One might have thought that it had been ravaged by a pestilence, which had even attacked the buildings, for skeletons of dilapidated and deserted houses, or small cottages, which were left in an unfinished state, because the contractors had not been paid, reared their four roofless walls on each side.
Here and there tall factory chimneys rose up from the barren soil. The only vegetation on that putrid land, where the spring breezes wafted an odor of petroleum and slate, blended with another odor that was even less agreeable. At last, however, they crossed the Seine a second time, and the bridge was a delight. The river sparkled in the sun, and they had a feeling of quiet enjoyment, felt refreshed as they drank in the purer air that was not impregnated by the black smoke of factories nor by the miasma from the deposits of night soil. A man whom they met told them that the name of the place was Bezons. Monsieur Dufour pulled up and read the attractive announcement outside an eating house: Restaurant Poulin, matelottes and fried fish, private rooms, arbors, and swings.
“Well, Madame Dufour, will this suit you? Will you make up your mind at last?”
She read the announcement in her turn and then looked at the house for some time.
It was a white country inn, built by the roadside, and through the open door she could see the bright zinc of the counter, at which sat two workmen in their Sunday clothes. At last she made up her mind and said:
“Yes, this will do; and, besides, there is a view.”
They drove into a large field behind the inn, separated from the river by the towing path, and dismounted. The husband sprang out first and then held out his arms for his wife, and as the step was very high Madame Dufour, in order to reach him, had to show the lower part of her limbs, whose former slenderness had disappeared in fat, and Monsieur Dufour, who was already getting excited by the country air, pinched her calf, and then, taking her in his arms, he set her on the ground, as if she had been some enormous bundle. She shook the dust out of the silk dress and then looked round to see in what sort of a place she was.
She was a stout woman, of about thirty-six, full-blown, and delightful to look at. She could hardly breathe, as her corsets were laced too tightly, and their pressure forced her superabundant bosom up to her double chin. Next the girl placed her hand on her father's shoulder and jumped down lightly. The boy with the yellow hair had got down by stepping on the wheel, and he helped Monsieur Dufour to lift his grandmother out. Then they unharnessed the horse, which they had tied to a tree, and the carriage fell back, with both shafts in the air. The men took off their coats and washed their hands in a pail of water and then went and joined the ladies, who had already taken possession of the swings.
Mademoiselle Dufour was trying to swing herself standing up, but she could not succeed in getting a start. She was a pretty girl of about eighteen, one of those women who suddenly excite your desire when you meet them in the street and who leave you with a vague feeling of uneasiness and of excited senses. She was tall, had a small waist and large hips, with a dark skin, very large eyes and very black hair. Her dress clearly marked the outlines of her firm, full figure, which was accentuated by the motion of her hips as she tried to swing herself higher. Her arms were stretched upward to hold the rope, so that her bosom rose at every movement she made. Her hat, which a gust of wind had blown off, was hanging behind her, and as the swing gradually rose higher and higher, she showed her delicate limbs up to the knees each time, and the breeze from her flying skirts, which was more heady than the fumes of wine, blew into the faces of the two men, who were looking at her and smiling.
Sitting in the other swing, Madame Dufour kept saying in a monotonous voice:
“Cyprian, come and swing me; do come and swing me, Cyprian!”
At last he went, and turning up his shirt sleeves, as if undertaking a hard piece of work, with much difficulty he set his wife in motion. She clutched the two ropes and held her legs out straight, so as not to touch the ground. She enjoyed feeling dizzy at the motion of the swing, and her whole figure shook like a jelly on a dish, but as she went higher and higher; she became too giddy and was frightened. Each time the swing came down she uttered a piercing scream, which made all the little urchins in the neighborhood come round, and down below, beneath the garden hedge, she vaguely saw a row of mischievous heads making various grimaces as they laughed.
When a servant girl came out they ordered luncheon.
“Some fried fish, a rabbit saute, salad and dessert,” Madame Dufour said, with an important air.
“Bring two quarts of beer and a bottle of claret,” her husband said.
“We will have lunch on the grass,” the girl added.
The grandmother, who had an affection for cats, had been running after one that belonged to the house, trying to coax it to come to her for the last ten minutes. The animal, who was no doubt secretly flattered by her attentions, kept close to the good woman, but just out of reach of her hand, and quietly walked round the trees, against which she rubbed herself, with her tail up, purring with pleasure.
“Hello!” suddenly exclaimed the young man with the yellow hair, who was wandering about. “Here are two swell boats!” They all went to look at them and saw two beautiful canoes in a wooden shed; they were as beautifully finished as if they had been ornamental furniture. They hung side by side, like two tall, slender girls, in their narrow shining length, and made one wish to float in them on warm summer mornings and evenings along the flower-covered banks of the river, where the trees dip their branches into the water, where the rushes are continually rustling in the breeze and where the swift kingfishers dart about like flashes of blue lightning.
The whole family looked at them with great respect.
“Oh, they are indeed swell boats!” Monsieur Dufour repeated gravely, as he examined them like a connoiseur. He had been in the habit of rowing in his younger days, he said, and when he had spat in his hands—and he went through the action of pulling the oars—he did not care a fig for anybody. He had beaten more than one Englishman formerly at the Joinville regattas. He grew quite excited at last and offered to make a bet that in a boat like that he could row six leagues an hour without exerting himself.
“Luncheon is ready,” the waitress said, appearing at the entrance to the boathouse, and they all hurried off. But two young men had taken the very seats that Madame Dufour had selected and were eating their luncheon. No doubt they were the owners of the sculls, for they were in boating costume. They were stretched out, almost lying on the chairs; they were sun-browned and their thin cotton jerseys, with short sleeves, showed their bare arms, which were as strong as a blacksmith's. They were two strong, athletic fellows, who showed in all their movements that elasticity and grace of limb which can only be acquired by exercise and which is so different to the deformity with which monotonous heavy work stamps the mechanic.
They exchanged a rapid smile when they saw the mother and then a glance on seeing the daughter.
“Let us give up our place,” one of them said; “it will make us acquainted with them.”
The other got up immediately, and holding his black and red boating cap in his hand, he politely offered the ladies the only shady place in the garden. With many excuses they accepted, and that it might be more rural, they sat on the grass, without either tables or chairs.
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Literature · Short Stories
Complete Original Short Stories of Guy De Maupassant 52
