The Atlantic Book of Modern Plays 25 – Anonymous · Library Across
Literature · Fantasy
The Atlantic Book of Modern Plays 25The Cassilis Engagement
18
Literature · Fantasy
The Atlantic Book of Modern Plays 25
The Cassilis Engagement
AnonymousEnglish
Ibid.
+Gerhardt Hauptmann+
THE WEAVERS: Painful presentation of the suffering of the German weavers in the first adjustments of the Industrial Revolution.
In Dickinson's Chief Contemporary Dramatists; also in
Lewisohn's translations, Huebsch.
+Winifred N. Hawkridge+
THE FLORIST SHOP: Rather sentimentalist play of good influences wafted by a young woman as a florist's clerk; excellent business combines with the influences.
In Harvard Dramatic Club Plays, First Series, Brentano's.
+Hazelton and Benrimo+
THE YELLOW JACKET: The conventions of the Chinese theatre, more or less faithfully presented, make a quite comical presentment of an ancient Chinese legend.
Bobbs, Merrill.
+Theresa Helburn+
ENTER THE HERO: A madly fanciful girl fabricates a romance out of whole cloth, casts a friend as hero, and tells her small world about it. Even the rough measures the hero has to use to escape do not succeed in curing her of the habit.
In Flying Stage Plays, No. 4, Ahrens; _Fifty Contemporary
One-Act Plays_, Stewart and Kidd.
+Perez Hirschbein+
IN THE DARK: Grim and awful picture of the depths of misery and starvation in a Ghetto basement. Translated by Goldberg.
In Six Plays of the Yiddish Theatre, First Series: Luce.
+Hugo von Hofmannsthal+
MADONNA DIANORA: Fearsome tragedy of the Ring-and-Book sort, beautifully and poignantly presented.
Translated by Harriett Boas, Badger.
+Stanley Houghton+
THE DEAR DEPARTED: Somewhat precipitate haste for advantage in dividing grandfather's effects is fittingly rebuked.
In Dramatic Works, vol. i. French, New York; Constable, London.
THE FIFTH COMMANDMENT: A mother finds being an "imaginary invalid" excellent for checkmating her daughter's plans, but inconveniently in the way of her own.
Ibid.
+Laurence Housman+
RETURN OF ALCESTIS: A modern poetic view of the spirit of Alcestis returning to Admetus after her sacrifice and rescue. Edwin Arlington Robinson has also handled this theme lately.
French.
BIRD IN HAND: A pedantic old scholar is mysteriously plagued by an illusion of faery, but in time conquers the obsession.
French.
BETHLEHEM: A nativity play.
Macmillan.
THE CHINESE LANTERN: Pleasantly effective scenes in a Chinese studio.
Sidgwick and Jackson.
+William Dean Howells+
THE SLEEPING CAR; THE REGISTER; THE MOUSE TRAP; THE ALBANY DEPOT; THE GARROTERS:
Amusing but somewhat worn farces, several of them introducing the voluble Mrs. Roberts and her family.
+Henrik Ibsen+
AN ENEMY OF THE PEOPLE: A scientist who insists on making known, and setting to work to remedy, the evils and wrongs of his community has to reckon with the people; compare The Mob, by John Galsworthy.
Boni and Liveright.
THE DOLL'S HOUSE: Nora Hjalmar, who has always been petted and shielded, at last has to face and solve certain difficult problems for herself. She thus discovers just how much her husband's love and indulgence are worth. Her solution of the difficulty is presented, not as necessarily the right thing to have done, but as what such a woman would do under the circumstances.
Boni and Liveright.
THE LADY FROM THE SEA: Ellida Wrangel, wife of the village pastor, feels the call of the sea; she feels she must go with the rough sailor to whom she was once betrothed. When Wrangel sincerely offers her liberty to choose, she "seeks the security of a familiar home, and the wild lure of the great sea spaces can trouble her no more." (Lewisohn.)
Boni and Liveright.
+W.W. Jacobs and Others+
ADMIRAL PETERS; THE GRAY PABKOT; THE CHANGELING; BOATSWAIN'S MATE: Jolly farces of sailors and watchmen and their families, based on Jacobs's stories in Captains All, Many Cargoes, and the rest.
French.
THE MONKEY'S PAW: A most fearful and gruesome play, based on Jacobs's story, in the vein of the Three Wishes, and the Foot of Pharaoh, by Gautier.
French.
+Jerome K. Jerome+
FANNY AND THE SERVANT PBOBLEM: The new Lady Bantock is surprised to discover both her real rank and her strange relationship with her twenty-three servants. An interesting character study.
French.
+William Ellery Leonard+
GLORY OF THE MORNING: The pathos of two civilizations contending for the children of the Indian woman, Glory of the Morning; they must go with their father to France or stay with their mother. Dr. Leonard has newly completed another powerful tragedy, Red Bird, as yet unpublished.
In Wisconsin Plays, First Series, 1914, B.W. Huebsch.
+Justin McCarthy+
IF I WERE KING: A romantic play, in the vein of De Banville's Gringoire, in which Villon becomes Marshal of France, for a brief time and with a fearful condition stipulated by the spider-king, Louis XI.
Heinemann.
+Edward Knoblauch and Arnold Bennett+
MILESTONES: Three different generations, with their different ideas and ideals, confront similar problems with different views, and arrive at various conclusions.
Doran.
+Percy Mackaye+
THE CANTERBURY PILGRIMS: Mr. Mackaye, translator with Professor Tatlock of Chaucer's Canterbury Tales, has written here a clever play of the travelers' adventures. The Wife of Bath is of course the ringleader in mischief.
Macmillan.
CALIBAN BY THE YELLOW SANDS: A masque for the Shakespeare
Tercentenary Celebration, New York City.
Doubleday.
JEANNE D'ARC: A tragedy made up of incidents in the life of the Maid.
Macmillan.
SAM AVERAGE: A Silhouette. A soldier of 1812 is kept true to the cause by a vision of Sam Average, the spirit of his nation.
In Yankee Fantasies, Duffield.
THE SCARECROW: A lively dramatization of Hawthorne's Feathertop, from Mosses from an Old Manse.
Macmillan.
+Mary MacMillan+
THE SHADOWED STAR: Portraying the cruel suffering of two Irish peasant women who wait in a city tenement for Christmas as they remember it.
In Short Plays, Stewart and Kidd.
+Maurice Maeterlinck+
ARDIANE AND BLUEBEARD: A resolute wife finally defies Bluebeard and rescues his wives; but they refuse to forsake their unfortunate and beloved husband.
