At the Sign of the Cat and Racket 3 – Bell · Library Across
Literature · Romance
At the Sign of the Cat and Racket 3At the Sign of the Cat and Racket (part 3)
18
Literature · Romance
At the Sign of the Cat and Racket 3
At the Sign of the Cat and Racket (part 3)
BellEnglish
Three years after her marriage this pretty young woman, who dashed past in her handsome carriage, and lived in a sphere of glory and riches to the envy of heedless folk incapable of taking a just view of the situations of life, was a prey to intense grief. She lost her color; she reflected; she made comparisons; then sorrow unfolded to her the first lessons of experience. She determined to restrict herself bravely within the round of duty, hoping that by this generous conduct she might sooner or later win back her husband’s love. But it was not so. When Sommervieux, fired with work, came in from his studio, Augustine did not put away her work so quickly but that the painter might find his wife mending the household linen, and his own, with all the care of a good housewife. She supplied generously and without a murmur the money needed for his lavishness; but in her anxiety to husband her dear Theodore’s fortune, she was strictly economical for herself and in certain details of domestic management. Such conduct is incompatible with the easy-going habits of artists, who, at the end of their life, have enjoyed it so keenly that they never inquire into the causes of their ruin.
It is useless to note every tint of shadow by which the brilliant hues of their honeymoon were overcast till they were lost in utter blackness. One evening poor Augustine, who had for some time heard her husband speak with enthusiasm of the Duchesse de Carigliano, received from a friend certain malignantly charitable warnings as to the nature of the attachment which Sommervieux had formed for this celebrated flirt of the Imperial Court. At one-and-twenty, in all the splendor of youth and beauty, Augustine saw herself deserted for a woman of six-and-thirty. Feeling herself so wretched in the midst of a world of festivity which to her was a blank, the poor little thing could no longer understand the admiration she excited, or the envy of which she was the object. Her face assumed a different expression. Melancholy, tinged her features with the sweetness of resignation and the pallor of scorned love. Ere long she too was courted by the most fascinating men; but she remained lonely and virtuous. Some contemptuous words which escaped her husband filled her with incredible despair. A sinister flash showed her the breaches which, as a result of her sordid education, hindered the perfect union of her soul with Theodore’s; she loved him well enough to absolve him and condemn herself. She shed tears of blood, and perceived, too late, that there are mesalliances of the spirit as well as of rank and habits. As she recalled the early raptures of their union, she understood the full extent of that lost happiness, and accepted the conclusion that so rich a harvest of love was in itself a whole life, which only sorrow could pay for. At the same time, she loved too truly to lose all hope. At one-and-twenty she dared undertake to educate herself, and make her imagination, at least, worthy of that she admired. “If I am not a poet,” thought she, “at any rate, I will understand poetry.”
Then, with all the strength of will, all the energy which every woman can display when she loves, Madame de Sommervieux tried to alter her character, her manners, and her habits; but by dint of devouring books and learning undauntedly, she only succeeded in becoming less ignorant. Lightness of wit and the graces of conversation are a gift of nature, or the fruit of education begun in the cradle. She could appreciate music and enjoy it, but she could not sing with taste. She understood literature and the beauties of poetry, but it was too late to cultivate her refractory memory. She listened with pleasure to social conversation, but she could contribute nothing brilliant. Her religious notions and home-grown prejudices were antagonistic to the complete emancipation of her intelligence. Finally, a foregone conclusion against her had stolen into Theodore’s mind, and this she could not conquer. The artist would laugh, at those who flattered him about his wife, and his irony had some foundation; he so overawed the pathetic young creature that, in his presence, or alone with him, she trembled. Hampered by her too eager desire to please, her wits and her knowledge vanished in one absorbing feeling. Even her fidelity vexed the unfaithful husband, who seemed to bid her do wrong by stigmatizing her virtue as insensibility. Augustine tried in vain to abdicate her reason, to yield to her husband’s caprices and whims, to devote herself to the selfishness of his vanity. Her sacrifices bore no fruit. Perhaps they had both let the moment slip when souls may meet in comprehension. One day the young wife’s too sensitive heart received one of those blows which so strain the bonds of feeling that they seem to be broken. She withdrew into solitude. But before long a fatal idea suggested to her to seek counsel and comfort in the bosom of her family.
So one morning she made her way towards the grotesque facade of the humble, silent home where she had spent her childhood. She sighed as she looked up at the sash-window, whence one day she had sent her first kiss to him who now shed as much sorrow as glory on her life. Nothing was changed in the cavern, where the drapery business had, however, started on a new life. Augustine’s sister filled her mother’s old place at the desk. The unhappy young woman met her brother-in-law with his pen behind his ear; he hardly listened to her, he was so full of business. The formidable symptoms of stock-taking were visible all round him; he begged her to excuse him. She was received coldly enough by her sister, who owed her a grudge. In fact, Augustine, in her finery, and stepping out of a handsome carriage, had never been to see her but when passing by. The wife of the prudent Lebas, imagining that want of money was the prime cause of this early call, tried to keep up a tone of reserve which more than once made Augustine smile. The painter’s wife perceived that, apart from the cap and lappets, her mother had found in Virginie a successor who could uphold the ancient honor of the Cat and Racket. At breakfast she observed certain changes in the management of the house which did honor to Lebas’ good sense; the assistants did not rise before dessert; they were allowed to talk, and the abundant meal spoke of ease without luxury. The fashionable woman found some tickets for a box at the Francais, where she remembered having seen her sister from time to time. Madame Lebas had a cashmere shawl over her shoulders, of which the value bore witness to her husband’s generosity to her. In short, the couple were keeping pace with the times. During the two-thirds of the day she spent there, Augustine was touched to the heart by the equable happiness, devoid, to be sure, of all emotion, but equally free from storms, enjoyed by this well-matched couple. They had accepted life as a commercial enterprise, in which, above all, they must do credit to the business. Not finding any great love in her husband, Virginie had set to work to create it. Having by degrees learned to esteem and care for his wife, the time that his happiness had taken to germinate was to Joseph Lebas a guarantee of its durability. Hence, when Augustine plaintively set forth her painful position, she had to face the deluge of commonplace morality which the traditions of the Rue Saint-Denis furnished to her sister.
“The mischief is done, wife,” said Joseph Lebas; “we must try to give our sister good advice.” Then the clever tradesman ponderously analyzed the resources which law and custom might offer Augustine as a means of escape at this crisis; he ticketed every argument, so to speak, and arranged them in their degrees of weight under various categories, as though they were articles of merchandise of different qualities; then he put them in the scale, weighed them, and ended by showing the necessity for his sister-in-law’s taking violent steps which could not satisfy the love she still had for her husband; and, indeed, the feeling had revived in all its strength when she heard Joseph Lebas speak of legal proceedings. Augustine thanked them, and returned home even more undecided than she had been before consulting them. She now ventured to go to the house in the Rue du Colombier, intending to confide her troubles to her father and mother; for she was like a sick man who, in his desperate plight, tries every prescription, and even puts faith in old wives’ remedies.
The old people received their daughter with an effusiveness that touched her deeply. Her visit brought them some little change, and that to them was worth a fortune. For the last four years they had gone their way like navigators without a goal or a compass. Sitting by the chimney corner, they would talk over their disasters under the old law of maximum, of their great investments in cloth, of the way they had weathered bankruptcies, and, above all, the famous failure of Lecocq, Monsieur Guillaume’s battle of Marengo. Then, when they had exhausted the tale of lawsuits, they recapitulated the sum total of their most profitable stock-takings, and told each other old stories of the Saint-Denis quarter. At two o’clock old Guillaume went to cast an eye on the business at the Cat and Racket; on his way back he called at all the shops, formerly the rivals of his own, where the young proprietors hoped to inveigle the old draper into some risky discount, which, as was his wont, he never refused point-blank. Two good Normandy horses were dying of their own fat in the stables of the big house; Madame Guillaume never used them but to drag her on Sundays to high Mass at the parish church. Three times a week the worthy couple kept open house. By the influence of his son-in-law Sommervieux, Monsieur Guillaume had been named a member of the consulting board for the clothing of the Army. Since her husband had stood so high in office, Madame Guillaume had decided that she must receive; her rooms were so crammed with gold and silver ornaments, and furniture, tasteless but of undoubted value, that the simplest room in the house looked like a chapel. Economy and expense seemed to be struggling for the upper hand in every accessory. It was as though Monsieur Guillaume had looked to a good investment, even in the purchase of a candlestick. In the midst of this bazaar, where splendor revealed the owner’s want of occupation, Sommervieux’s famous picture filled the place of honor, and in it Monsieur and Madame Guillaume found their chief consolation, turning their eyes, harnessed with eye-glasses, twenty times a day on this presentment of their past life, to them so active and amusing. The appearance of this mansion and these rooms, where everything had an aroma of staleness and mediocrity, the spectacle offered by these two beings, cast away, as it were, on a rock far from the world and the ideas which are life, startled Augustine; she could here contemplate the sequel of the scene of which the first part had struck her at the house of Lebas--a life of stir without movement, a mechanical and instinctive existence like that of the beaver; and then she felt an indefinable pride in her troubles, as she reflected that they had their source in eighteen months of such happiness as, in her eyes, was worth a thousand lives like this; its vacuity seemed to her horrible. However, she concealed this not very charitable feeling, and displayed for her parents her newly-acquired accomplishments of mind, and the ingratiating tenderness that love had revealed to her, disposing them to listen to her matrimonial grievances. Old people have a weakness for this kind of confidence. Madame Guillaume wanted to know the most trivial details of that alien life, which to her seemed almost fabulous. The travels of Baron da la Houtan, which she began again and again and never finished, told her nothing more unheard-of concerning the Canadian savages.
“What, child, your husband shuts himself into a room with naked women! And you are so simple as to believe that he draws them?”
As she uttered this exclamation, the grandmother laid her spectacles on a little work-table, shook her skirts, and clasped her hands on her knees, raised by a foot-warmer, her favorite pedestal.
“But, mother, all artists are obliged to have models.”
“He took good care not to tell us that when he asked leave to marry you. If I had known it, I would never had given my daughter to a man who followed such a trade. Religion forbids such horrors; they are immoral. And at what time of night do you say he comes home?”
“At one o’clock--two----”
The old folks looked at each other in utter amazement.
“Then he gambles?” said Monsieur Guillaume. “In my day only gamblers stayed out so late.”
Augustine made a face that scorned the accusation.
“He must keep you up through dreadful nights waiting for him,” said Madame Guillaume. “But you go to bed, don’t you? And when he has lost, the wretch wakes you.”
“No, mamma, on the contrary, he is sometimes in very good spirits. Not unfrequently, indeed, when it is fine, he suggests that I should get up and go into the woods.”
“The woods! At that hour? Then have you such a small set of rooms that his bedroom and his sitting-room are not enough, and that he must run about? But it is just to give you cold that the wretch proposes such expeditions. He wants to get rid of you. Did one ever hear of a man settled in life, a well-behaved, quiet man galloping about like a warlock?”
“But, my dear mother, you do not understand that he must have excitement to fire his genius. He is fond of scenes which----”
“I would make scenes for him, fine scenes!” cried Madame Guillaume, interrupting her daughter. “How can you show any consideration to such a man? In the first place, I don’t like his drinking water only; it is not wholesome. Why does he object to see a woman eating? What queer notion is that! But he is mad. All you tell us about him is impossible. A man cannot leave his home without a word, and never come back for ten days. And then he tells you he has been to Dieppe to paint the sea. As if any one painted the sea! He crams you with a pack of tales that are too absurd.”
Augustine opened her lips to defend her husband; but Madame Guillaume enjoined silence with a wave of her hand, which she obeyed by a survival of habit, and her mother went on in harsh tones: “Don’t talk to me about the man! He never set foot in church excepting to see you and to be married. People without religion are capable of anything. Did Guillaume ever dream of hiding anything from me, of spending three days without saying a word to me, and of chattering afterwards like a blind magpie?”
“My dear mother, you judge superior people too severely. If their ideas were the same as other folks’, they would not be men of genius.”
“Very well, then let men of genius stop at home and not get married. What! A man of genius is to make his wife miserable? And because he is a genius it is all right! Genius, genius! It is not so very clever to say black one minute and white the next, as he does, to interrupt other people, to dance such rigs at home, never to let you know which foot you are to stand on, to compel his wife never to be amused unless my lord is in gay spirits, and to be dull when he is dull.”
“But, mother, the very nature of such imaginations----”
“What are such ‘imaginations’?” Madame Guillaume went on, interrupting her daughter again. “Fine ones his are, my word! What possesses a man that all on a sudden, without consulting a doctor, he takes it into his head to eat nothing but vegetables? If indeed it were from religious motives, it might do him some good--but he has no more religion than a Huguenot. Was there ever a man known who, like him, loved horses better than his fellow-creatures, had his hair curled like a heathen, laid statues under muslin coverlets, shut his shutters in broad day to work by lamp-light? There, get along; if he were not so grossly immoral, he would be fit to shut up in a lunatic asylum. Consult Monsieur Loraux, the priest at Saint Sulpice, ask his opinion about it all, and he will tell you that your husband, does not behave like a Christian.”
“Oh, mother, can you believe----?”
“Yes, I do believe. You loved him, and you can see none of these things. But I can remember in the early days after your marriage. I met him in the Champs-Elysees. He was on horseback. Well, at one minute he was galloping as hard as he could tear, and then pulled up to a walk. I said to myself at that moment, ‘There is a man devoid of judgement.’”
“Ah, ha!” cried Monsieur Guillaume, “how wise I was to have your money settled on yourself with such a queer fellow for a husband!”
When Augustine was so imprudent as to set forth her serious grievances against her husband, the two old people were speechless with indignation. But the word “divorce” was ere long spoken by Madame Guillaume. At the sound of the word divorce the apathetic old draper seemed to wake up. Prompted by his love for his daughter, and also by the excitement which the proceedings would bring into his uneventful life, father Guillaume took up the matter. He made himself the leader of the application for a divorce, laid down the lines of it, almost argued the case; he offered to be at all the charges, to see the lawyers, the pleaders, the judges, to move heaven and earth. Madame de Sommervieux was frightened, she refused her father’s services, said she would not be separated from her husband even if she were ten times as unhappy, and talked no more about her sorrows. After being overwhelmed by her parents with all the little wordless and consoling kindnesses by which the old couple tried in vain to make up to her for her distress of heart, Augustine went away, feeling the impossibility of making a superior mind intelligible to weak intellects. She had learned that a wife must hide from every one, even from her parents, woes for which it is so difficult to find sympathy. The storms and sufferings of the upper spheres are appreciated only by the lofty spirits who inhabit there. In any circumstance we can only be judged by our equals.
Thus poor Augustine found herself thrown back on the horror of her meditations, in the cold atmosphere of her home. Study was indifferent to her, since study had not brought her back her husband’s heart. Initiated into the secret of these souls of fire, but bereft of their resources, she was compelled to share their sorrows without sharing their pleasures. She was disgusted with the world, which to her seemed mean and small as compared with the incidents of passion. In short, her life was a failure.
One evening an idea flashed upon her that lighted up her dark grief like a beam from heaven. Such an idea could never have smiled on a heart less pure, less virtuous than hers. She determined to go to the Duchesse de Carigliano, not to ask her to give her back her husband’s heart, but to learn the arts by which it had been captured; to engage the interest of this haughty fine lady for the mother of her lover’s children; to appeal to her and make her the instrument of her future happiness, since she was the cause of her present wretchedness.
So one day Augustine, timid as she was, but armed with supernatural courage, got into her carriage at two in the afternoon to try for admittance to the boudoir of the famous coquette, who was never visible till that hour. Madame de Sommervieux had not yet seen any of the ancient and magnificent mansions of the Faubourg Saint-Germain. As she made her way through the stately corridors, the handsome staircases, the vast drawing-rooms--full of flowers, though it was in the depth of winter, and decorated with the taste peculiar to women born to opulence or to the elegant habits of the aristocracy, Augustine felt a terrible clutch at her heart; she coveted the secrets of an elegance of which she had never had an idea; she breathed in an air of grandeur which explained the attraction of the house for her husband. When she reached the private rooms of the Duchess she was filled with jealousy and a sort of despair, as she admired the luxurious arrangement of the furniture, the draperies and the hangings. Here disorder was a grace, here luxury affected a certain contempt of splendor. The fragrance that floated in the warm air flattered the sense of smell without offending it. The accessories of the rooms were in harmony with a view, through plate-glass windows, of the lawns in a garden planted with evergreen trees. It was all bewitching, and the art of it was not perceptible. The whole spirit of the mistress of these rooms pervaded the drawing-room where Augustine awaited her. She tried to divine her rival’s character from the aspect of the scattered objects; but there was here something as impenetrable in the disorder as in the symmetry, and to the simple-minded young wife all was a sealed letter. All that she could discern was that, as a woman, the Duchess was a superior person. Then a painful thought came over her.
“Alas! And is it true,” she wondered, “that a simple and loving heart is not all-sufficient to an artist; that to balance the weight of these powerful souls they need a union with feminine souls of a strength equal to their own? If I had been brought up like this siren, our weapons at least might have been equal in the hour of struggle.”
“But I am not at home!” The sharp, harsh words, though spoken in an undertone in the adjoining boudoir, were heard by Augustine, and her heart beat violently.
“The lady is in there,” replied the maid.
“You are an idiot! Show her in,” replied the Duchess, whose voice was sweeter, and had assumed the dulcet tones of politeness. She evidently now meant to be heard.
Augustine shyly entered the room. At the end of the dainty boudoir she saw the Duchess lounging luxuriously on an ottoman covered with brown velvet and placed in the centre of a sort of apse outlined by soft folds of white muslin over a yellow lining. Ornaments of gilt bronze, arranged with exquisite taste, enhanced this sort of dais, under which the Duchess reclined like a Greek statue. The dark hue of the velvet gave relief to every fascinating charm. A subdued light, friendly to her beauty, fell like a reflection rather than a direct illumination. A few rare flowers raised their perfumed heads from costly Sevres vases. At the moment when this picture was presented to Augustine’s astonished eyes, she was approaching so noiselessly that she caught a glance from those of the enchantress. This look seemed to say to some one whom Augustine did not at first perceive, “Stay; you will see a pretty woman, and make her visit seem less of a bore.”
On seeing Augustine, the Duchess rose and made her sit down by her.
“And to what do I owe the pleasure of this visit, madame?” she said with a most gracious smile.
“Why all the falseness?” thought Augustine, replying only with a bow.
Her silence was compulsory. The young woman saw before her a superfluous witness of the scene. This personage was, of all the Colonels in the army, the youngest, the most fashionable, and the finest man. His face, full of life and youth, but already expressive, was further enhanced by a small moustache twirled up into points, and as black as jet, by a full imperial, by whiskers carefully combed, and a forest of black hair in some disorder. He was whisking a riding whip with an air of ease and freedom which suited his self-satisfied expression and the elegance of his dress; the ribbons attached to his button-hole were carelessly tied, and he seemed to pride himself much more on his smart appearance than on his courage. Augustine looked at the Duchesse de Carigliano, and indicated the Colonel by a sidelong glance. All its mute appeal was understood.
“Good-bye, then, Monsieur d’Aiglemont, we shall meet in the Bois de Boulogne.”
These words were spoken by the siren as though they were the result of an agreement made before Augustine’s arrival, and she winged them with a threatening look that the officer deserved perhaps for the admiration he showed in gazing at the modest flower, which contrasted so well with the haughty Duchess. The young fop bowed in silence, turned on the heels of his boots, and gracefully quitted the boudoir. At this instant, Augustine, watching her rival, whose eyes seemed to follow the brilliant officer, detected in that glance a sentiment of which the transient expression is known to every woman. She perceived with the deepest anguish that her visit would be useless; this lady, full of artifice, was too greedy of homage not to have a ruthless heart.
“Madame,” said Augustine in a broken voice, “the step I am about to take will seem to you very strange; but there is a madness of despair which ought to excuse anything. I understand only too well why Theodore prefers your house to any other, and why your mind has so much power over his. Alas! I have only to look into myself to find more than ample reasons. But I am devoted to my husband, madame. Two years of tears have not effaced his image from my heart, though I have lost his. In my folly I dared to dream of a contest with you; and I have come to you to ask you by what means I may triumph over yourself. Oh, madame,” cried the young wife, ardently seizing the hand which her rival allowed her to hold, “I will never pray to God for my own happiness with so much fervor as I will beseech Him for yours, if you will help me to win back Sommervieux’s regard--I will not say his love. I have no hope but in you. Ah! tell me how you could please him, and make him forget the first days----” At these words Augustine broke down, suffocated with sobs she could not suppress. Ashamed of her weakness, she hid her face in her handkerchief, which she bathed with tears.
“What a child you are, my dear little beauty!” said the Duchess, carried away by the novelty of such a scene, and touched, in spite of herself, at receiving such homage from the most perfect virtue perhaps in Paris. She took the young wife’s handkerchief, and herself wiped the tears from her eyes, soothing her by a few monosyllables murmured with gracious compassion. After a moment’s silence the Duchess, grasping poor Augustine’s hands in both her own--hands that had a rare character of dignity and powerful beauty--said in a gentle and friendly voice: “My first warning is to advise you not to weep so bitterly; tears are disfiguring. We must learn to deal firmly with the sorrows that make us ill, for love does not linger long by a sick-bed. Melancholy, at first, no doubt, lends a certain attractive grace, but it ends by dragging the features and blighting the loveliest face. And besides, our tyrants are so vain as to insist that their slaves should be always cheerful.”
“But, madame, it is not in my power not to feel. How is it possible, without suffering a thousand deaths, to see the face which once beamed with love and gladness turn chill, colorless, and indifferent? I cannot control my heart!”
“So much the worse, sweet child. But I fancy I know all your story. In the first place, if your husband is unfaithful to you, understand clearly that I am not his accomplice. If I was anxious to have him in my drawing-room, it was, I own, out of vanity; he was famous, and he went nowhere. I like you too much already to tell you all the mad things he has done for my sake. I will only reveal one, because it may perhaps help us to bring him back to you, and to punish him for the audacity of his behavior to me. He will end by compromising me. I know the world too well, my dear, to abandon myself to the discretion of a too superior man. You should know that one may allow them to court one, but marry them--that is a mistake! We women ought to admire men of genius, and delight in them as a spectacle, but as to living with them? Never.--No, no. It is like wanting to find pleasure in inspecting the machinery of the opera instead of sitting in a box to enjoy its brilliant illusions. But this misfortune has fallen on you, my poor child, has it not? Well, then, you must try to arm yourself against tyranny.”
“Ah, madame, before coming in here, only seeing you as I came in, I already detected some arts of which I had no suspicion.”
“Well, come and see me sometimes, and it will not be long before you have mastered the knowledge of these trifles, important, too, in their way. Outward things are, to fools, half of life; and in that matter more than one clever man is a fool, in spite of all his talent. But I dare wager you never could refuse your Theodore anything!”
“How refuse anything, madame, if one loves a man?”
“Poor innocent, I could adore you for your simplicity. You should know that the more we love the less we should allow a man, above all, a husband, to see the whole extent of our passion. The one who loves most is tyrannized over, and, which is worse, is sooner or later neglected. The one who wishes to rule should----”
“What, madame, must I then dissimulate, calculate, become false, form an artificial character, and live in it? How is it possible to live in such a way? Can you----” she hesitated; the Duchess smiled.
“My dear child,” the great lady went on in a serious tone, “conjugal happiness has in all times been a speculation, a business demanding particular attention. If you persist in talking passion while I am talking marriage, we shall soon cease to understand each other. Listen to me,” she went on, assuming a confidential tone. “I have been in the way of seeing some of the superior men of our day. Those who have married have for the most part chosen quite insignificant wives. Well, those wives governed them, as the Emperor governs us; and if they were not loved, they were at least respected. I like secrets--especially those which concern women--well enough to have amused myself by seeking the clue to the riddle. Well, my sweet child, those worthy women had the gift of analyzing their husbands’ nature; instead of taking fright, like you, at their superiority, they very acutely noted the qualities they lacked, and either by possessing those qualities, or by feigning to possess them, they found means of making such a handsome display of them in their husbands’ eyes that in the end they impressed them. Also, I must tell you, all these souls which appear so lofty have just a speck of madness in them, which we ought to know how to take advantage of. By firmly resolving to have the upper hand and never deviating from that aim, by bringing all our actions to bear on it, all our ideas, our cajolery, we subjugate these eminently capricious natures, which, by the very mutability of their thoughts, lend us the means of influencing them.”
“Good heavens!” cried the young wife in dismay. “And this is life. It is a warfare----”
“In which we must always threaten,” said the Duchess, laughing. “Our power is wholly factitious. And we must never allow a man to despise us; it is impossible to recover from such a descent but by odious manoeuvring. Come,” she added, “I will give you a means of bringing your husband to his senses.”
She rose with a smile to guide the young and guileless apprentice to conjugal arts through the labyrinth of her palace. They came to a back-staircase, which led up to the reception rooms. As Madame de Carigliano pressed the secret springlock of the door she stopped, looking at Augustine with an inimitable gleam of shrewdness and grace. “The Duc de Carigliano adores me,” said she. “Well, he dare not enter by this door without my leave. And he is a man in the habit of commanding thousands of soldiers. He knows how to face a battery, but before me,--he is afraid!”
Augustine sighed. They entered a sumptuous gallery, where the painter’s wife was led by the Duchess up to the portrait painted by Theodore of Mademoiselle Guillaume. On seeing it, Augustine uttered a cry.
“I knew it was no longer in my house,” she said, “but--here!----”
“My dear child, I asked for it merely to see what pitch of idiocy a man of genius may attain to. Sooner or later I should have returned it to you, for I never expected the pleasure of seeing the original here face to face with the copy. While we finish our conversation I will have it carried down to your carriage. And if, armed with such a talisman, you are not your husband’s mistress for a hundred years, you are not a woman, and you deserve your fate.”
Augustine kissed the Duchess’ hand, and the lady clasped her to her heart, with all the more tenderness because she would forget her by the morrow. This scene might perhaps have destroyed for ever the candor and purity of a less virtuous woman than Augustine, for the astute politics of the higher social spheres were no more consonant to Augustine than the narrow reasoning of Joseph Lebas, or Madame Guillaume’s vapid morality. Strange are the results of the false positions into which we may be brought by the slightest mistake in the conduct of life! Augustine was like an Alpine cowherd surprised by an avalanche; if he hesitates, if he listens to the shouts of his comrades, he is almost certainly lost. In such a crisis the heart steels itself or breaks.
Madame de Sommervieux returned home a prey to such agitation as it is difficult to describe. Her conversation with the Duchesse de Carigliano had roused in her mind a crowd of contradictory thoughts. Like the sheep in the fable, full of courage in the wolf’s absence, she preached to herself, and laid down admirable plans of conduct; she devised a thousand coquettish stratagems; she even talked to her husband, finding, away from him, all the springs of true eloquence which never desert a woman; then, as she pictured to herself Theodore’s clear and steadfast gaze, she began to quake. When she asked whether monsieur were at home her voice shook. On learning that he would not be in to dinner, she felt an unaccountable thrill of joy. Like a criminal who has appealed against sentence of death, a respite, however short, seemed to her a lifetime. She placed the portrait in her room, and waited for her husband in all the agonies of hope. That this venture must decide her future life, she felt too keenly not to shiver at every sound, even the low ticking of the clock, which seemed to aggravate her terrors by doling them out to her. She tried to cheat time by various devices. The idea struck her of dressing in a way which would make her exactly like the portrait. Then, knowing her husband’s restless temper, she had her room lighted up with unusual brightness, feeling sure that when he came in curiosity would bring him there at once. Midnight had struck when, at the call of the groom, the street gate was opened, and the artist’s carriage rumbled in over the stones of the silent courtyard.
“What is the meaning of this illumination?” asked Theodore in glad tones, as he came into her room.
Augustine skilfully seized the auspicious moment; she threw herself into her husband’s arms, and pointed to the portrait. The artist stood rigid as a rock, and his eyes turned alternately on Augustine, on the accusing dress. The frightened wife, half-dead, as she watched her husband’s changeful brow--that terrible brow--saw the expressive furrows gathering like clouds; then she felt her blood curdling in her veins when, with a glaring look, and in a deep hollow voice, he began to question her:
“Where did you find that picture?”
“The Duchess de Carigliano returned it to me.”
“You asked her for it?”
“I did not know that she had it.”
The gentleness, or rather the exquisite sweetness of this angel’s voice, might have touched a cannibal, but not an artist in the clutches of wounded vanity.
“It is worthy of her!” exclaimed the painter in a voice of thunder. “I will be avenged!” he cried, striding up and down the room. “She shall die of shame; I will paint her! Yes, I will paint her as Messalina stealing out at night from the palace of Claudius.”
“Theodore!” said a faint voice.
“I will kill her!”
“My dear----”
“She is in love with that little cavalry colonel, because he rides well----”
“Theodore!”
“Let me be!” said the painter in a tone almost like a roar.
It would be odious to describe the whole scene. In the end the frenzy of passion prompted the artist to acts and words which any woman not so young as Augustine would have ascribed to madness.
At eight o’clock next morning Madame Guillaume, surprising her daughter, found her pale, with red eyes, her hair in disorder, holding a handkerchief soaked with tears, while she gazed at the floor strewn with the torn fragments of a dress and the broken fragments of a large gilt picture-frame. Augustine, almost senseless with grief, pointed to the wreck with a gesture of deep despair.
“I don’t know that the loss is very great!” cried the old mistress of the Cat and Racket. “It was like you, no doubt; but I am told that there is a man on the boulevard who paints lovely portraits for fifty crowns.”
“Oh, mother!”
“Poor child, you are quite right,” replied Madame Guillaume, who misinterpreted the expression of her daughter’s glance at her. “True, my child, no one ever can love you as fondly as a mother. My darling, I guess it all; but confide your sorrows to me, and I will comfort you. Did I not tell you long ago that the man was mad! Your maid has told me pretty stories. Why, he must be a perfect monster!”
Augustine laid a finger on her white lips, as if to implore a moment’s silence. During this dreadful night misery had led her to that patient resignation which in mothers and loving wives transcends in its effects all human energy, and perhaps reveals in the heart of women the existence of certain chords which God has withheld from men.
An inscription engraved on a broken column in the cemetery at Montmartre states that Madame de Sommervieux died at the age of twenty-seven. In the simple words of this epitaph one of the timid creature’s friends can read the last scene of a tragedy. Every year, on the second of November, the solemn day of the dead, he never passes this youthful monument without wondering whether it does not need a stronger woman than Augustine to endure the violent embrace of genius?
“The humble and modest flowers that bloom in the valley,” he reflects, “perish perhaps when they are transplanted too near the skies, to the region where storms gather and the sun is scorching.”
ADDENDUM
The following personages appear in other stories of the Human Comedy.
Aiglemont, General, Marquis Victor d’
The Firm of Nucingen
A Woman of Thirty
Birotteau, Cesar
Cesar Birotteau
A Bachelor’s Establishment
Camusot
A Distinguished Provincial at Paris
A Bachelor’s Establishment
Cousin Pons
The Muse of the Department
Cesar Birotteau
Cardot, Jean-Jerome-Severin
A Start in Life
Lost Illusions
A Distinguished Provincial at Paris
A Bachelor’s Establishment
Cesar Birotteau
Carigliano, Marechal, Duc de
Father Goriot
Sarrasine
Carigliano, Duchesse de
A Distinguished Provincial at Paris
The Peasantry
The Member for Arcis
Guillaume
Cesar Birotteau
Lebas, Joseph
Cesar Birotteau
Cousin Betty
Lebas, Madame Joseph (Virginie)
Cesar Birotteau
Cousin Betty
Lourdois
Cesar Birotteau
Rabourdin, Xavier
The Government Clerks
Cesar Birotteau
The Middle Classes
Roguin, Madame
Cesar Birotteau
Pierrette
A Second Home
A Daughter of Eve
Sommervieux, Theodore de
The Government Clerks
Modeste Mignon
Sommervieux, Madame Theodore de (Augustine)
At the Sign of the Cat and Racket
Cesar Birotteau
